Friendship and Literature: Spirit and Form |
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Joseph Brodsky uses the device a number of times in his " Letters to a Roman Friend , ” most poignantly in these lines : Soon , dear Postumus , your friend who loves addition will pay off his debt , his old debt , to subtraction .
Joseph Brodsky uses the device a number of times in his " Letters to a Roman Friend , ” most poignantly in these lines : Soon , dear Postumus , your friend who loves addition will pay off his debt , his old debt , to subtraction .
63 ページ
This raises a variety of complex questions , the two most general of which might be worth formulating here : To what extent do the nature and forms of friendship vary along sexual lines ? To what extent and in what particular ways is ...
This raises a variety of complex questions , the two most general of which might be worth formulating here : To what extent do the nature and forms of friendship vary along sexual lines ? To what extent and in what particular ways is ...
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That " bottom - line ” model of explaining human behavior is as alien to Shakespeare's view in The Merchant of Venice as is the strict ... Antonio's occasional recourse to guilt tactics can also be understood along these general lines .
That " bottom - line ” model of explaining human behavior is as alien to Shakespeare's view in The Merchant of Venice as is the strict ... Antonio's occasional recourse to guilt tactics can also be understood along these general lines .
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目次
Friendship and Form II | 11 |
Friendship as Gift Exchange | 82 |
The Merchant of Venice | 118 |
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多く使われている語句
accept actually affection Antonio argue asked Bassanio become bond Brain Cicero claims clear clearly close comes concern consider continue conventions course culture debt described earlier emotion example express fact feel formal friendship gift exchange given giving hand homosexuality human Hyde ideal important increase institutions interest intimacy issue keep kind language least less letter lines lives marriage means Merchant of Venice Miss moving never observed one's person play poems Portia precisely present principle question receive recent refers regard relationship ring risk ritual says seems seen self-interest sense sentimentality sexual Shakespeare share ship Shylock social society spirit suggests talk tells thing thought tion true turn understand usury women writing