Friendship and Literature: Spirit and Form |
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For friendship and form are not antagonistic , a point that will become especially evident when we discover the extent to which much behavior that seems informal , even antiformal , can more accurately be seen as simply formal in a ...
For friendship and form are not antagonistic , a point that will become especially evident when we discover the extent to which much behavior that seems informal , even antiformal , can more accurately be seen as simply formal in a ...
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As with the other advantages of friendship , we do also receive the gifts of our friend , but just as these must not be the motive for establishing the friendship , neither must they be seen as the most important source of joy .
As with the other advantages of friendship , we do also receive the gifts of our friend , but just as these must not be the motive for establishing the friendship , neither must they be seen as the most important source of joy .
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Dramatic illustrations of this principle as it applies to friendship will be considered when we take up The Merchant of Venice in the next chapter , but the point can also be seen in the climactic episode of Lillian Hellman's " Julia .
Dramatic illustrations of this principle as it applies to friendship will be considered when we take up The Merchant of Venice in the next chapter , but the point can also be seen in the climactic episode of Lillian Hellman's " Julia .
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目次
Friendship and Form II | 11 |
Friendship as Gift Exchange | 82 |
The Merchant of Venice | 118 |
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多く使われている語句
accept actually affection Antonio argue asked Bassanio become bond Brain Cicero claims clear clearly close comes concern consider continue conventions course culture debt described earlier emotion example express fact feel formal friendship gift exchange given giving hand homosexuality human Hyde ideal important increase institutions interest intimacy issue keep kind language least less letter lines lives marriage means Merchant of Venice Miss moving never observed one's person play poems Portia precisely present principle question receive recent refers regard relationship ring risk ritual says seems seen self-interest sense sentimentality sexual Shakespeare share ship Shylock social society spirit suggests talk tells thing thought tion true turn understand usury women writing