The plays of William Shakspeare, pr. from the text of the corrected copies left by G. Steevens and E. Malone, with a selection of notes from the most eminent commentors by A. Chalmers, 第 2 巻
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Angelo answer appear bear Beat Beatrice believe Benedick better Biron blood Boyet bring brother Claud Claudio comes Cost dear death Demetrius desire doth Duke Enter Escal Exeunt Exit eyes face fair faith father fear follow fool friar gentle give grace hand hast hath head hear heart heaven Hero hold honour hope I'll Isab John keep kind King lady leave Leon light live look lord Lucio madam maid MALONE Marry master means meet Moth never night once peace Pedro play poor pray present prince Prov prove Provost reason SCENE seems sleep soul speak stand stay sweet tell thank thee thing thou thou art thought to-morrow tongue true turn What's woman youth
137 ページ - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become A kneaded clod ; and the delighted spirit To bathe in fiery floods, or to reside In thrilling regions of thick-ribbed ice...
36 ページ - Come away, come away, death, And in sad cypress let me be laid ; Fly away, fly away, breath ; I am slain by a fair cruel maid. My shroud of white, stuck all with yew, O, prepare it ! My part of death, no one so true Did share it. Not a flower, not a flower sweet, On my black coffin let there be strown ; Not a friend, not a friend greet My poor corpse, where my bones shall be thrown : A thousand thousand sighs to save, Lay me, O, where Sad true lover never find my grave, To weep there ! Duke.
457 ページ - Tu-whit, tu-who ! a merry note, While greasy Joan doth keel the pot. When all aloud the wind doth blow, And coughing drowns the parson's saw, And birds sit brooding in the snow, And Marian's nose looks red and raw, When roasted crabs hiss in the bowl, Then nightly sings the staring owl, Tu-whit, tu-who...
236 ページ - Why, then take no note of him, but let him go ; and presently call the rest of the watch together, and thank God you are rid of a knave.
151 ページ - So disguise shall, by the disguised, Pay with falsehood false exacting, And perform an old contracting. [Exit. ACT IV. SCENE I. — A Room in Mariana'* House. MARIANA discovered sitting; a Boy singing. SONG. Take, oh take those lips away, That so sweetly were forsworn; And those eyes, the break of day, Lights that do mislead the morn; But my kisses bring again, bring again, Seals of love, but seal'd in vain. seal'd in vain.
420 ページ - O, then his lines would ravish savage ears, And plant in tyrants mild humility. From women's eyes this doctrine I derive: They sparkle still the right Promethean fire; They are the books, the arts, the academes, That show, contain, and nourish all the world...
119 ページ - Alas ! alas ? Why, all the souls that were, were forfeit once ; And He that might the vantage best have took, Found out the remedy : How would you be, If he, which is the top of judgement, should But judge you as you are ? O, think on that ; And mercy then will breathe within your lips, Like man new made *°. Ang.
38 ページ - But let concealment, like a worm i' the bud, Feed on her damask cheek : she pin'd in thought, And with a green and yellow melancholy, She sat like Patience on a monument, Smiling at grief. Was not this love indeed ? We men may say more, swear more ; but indeed Our shows are more than will, for still we prove Much in our vows, but little in our love. DuJce. But died thy sister of her love, my boy? Vio. I am all the daughters of my father's house, And all the brothers too ; and yet I know not.