Later ShakespeareJohn Russell Brown, Bernard Harris Edward Arnold, 1966 - 264 ページ |
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... Antony is shattered by the very trait which ennobled him in his dealings with Octavius , by an honourable shame at his failings as a leader . It is characteristic of the handling of events in Antony and Cleopatra that we do not see Antony's ...
... Antony is shattered by the very trait which ennobled him in his dealings with Octavius , by an honourable shame at his failings as a leader . It is characteristic of the handling of events in Antony and Cleopatra that we do not see Antony's ...
42 ページ
... Antony's fate as a warning to adhere to the path of reason ; he forgets that Enobarbus follows reason to a fate more wretched than Antony's . Enobarbus chooses Rome lest he lose himself in Antony's dotage and like Antony be made a woman ...
... Antony's fate as a warning to adhere to the path of reason ; he forgets that Enobarbus follows reason to a fate more wretched than Antony's . Enobarbus chooses Rome lest he lose himself in Antony's dotage and like Antony be made a woman ...
43 ページ
... Antony than his pleasure ? Only Shakespeare could have imagined that the greatest courtesan of all time hungered to be Antony's wife - to be made ' an honest woman ' . Only he could have dreamed of a Cleopatra who is , despite her lies ...
... Antony than his pleasure ? Only Shakespeare could have imagined that the greatest courtesan of all time hungered to be Antony's wife - to be made ' an honest woman ' . Only he could have dreamed of a Cleopatra who is , despite her lies ...
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action actors Antony and Cleopatra Antony's appears Ariel audience Autolycus Beaumont and Fletcher Blackfriars Caliban character clown comedy Comedy of Errors comic conventions Coriolanus criticism Cymbeline dance death down-stage dramatic dramatist dream earlier effect elements Elizabethan Emilia Enobarbus evidence exile expression Ferdinand final Florizel Globe gods Gonzalo Gower Hamlet Henry VIII Hermione hero honour human imagination Imogen Jacobean Jonson King King's King's Men last plays last scene laughter Lear Leontes lines lovers Macbeth Martius masque Miranda moral Mucedorus narrative nature Noble Kinsmen Octavius Othello Palamon and Arcite Pandosto past pastoral Perdita performance perhaps Pericles play's plot poetic political Polixenes Posthumus present Prince Prospero Queen reference reunion romance Rome Sebastian seems sense Shakespeare Shakespeare's plays Shakespearian soliloquy solo speech speak stage stage-direction story Strachey style suggest tells Tempest theatre theatrical theme Theseus thou Timon tragedies up-stage vision Winter's Tale