Later ShakespeareJohn Russell Brown, Bernard Harris Edward Arnold, 1966 - 264 ページ |
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... Henry IV , Parts I and II , 1597–8 ; Much Ado About Nothing , 1598-9 ; Henry V , 1598-9 ; Julius Caesar , 1599-1600 ; The Merry Wives of Windsor , 1597-1601 ; As You Like It , 1599-1600 ; Twelfth Night , 1599–1602 ; Hamlet , 1600-1 ...
... Henry IV , Parts I and II , 1597–8 ; Much Ado About Nothing , 1598-9 ; Henry V , 1598-9 ; Julius Caesar , 1599-1600 ; The Merry Wives of Windsor , 1597-1601 ; As You Like It , 1599-1600 ; Twelfth Night , 1599–1602 ; Hamlet , 1600-1 ...
263 ページ
... Henry , 168 James I , 207-10 , 213 , 217–21 , 227–9 , 231 , 240 James , D. G. , 74n . Jenkins , H. , 63n . Johnson , Samuel , 55 , 204 , 225 Jones , F. , 209-10 Jones , Inigo , 101 , 129 Jonson , Ben , 53 , 103 , 105 , 172 , 211 , 217 ...
... Henry , 168 James I , 207-10 , 213 , 217–21 , 227–9 , 231 , 240 James , D. G. , 74n . Jenkins , H. , 63n . Johnson , Samuel , 55 , 204 , 225 Jones , F. , 209-10 Jones , Inigo , 101 , 129 Jonson , Ben , 53 , 103 , 105 , 172 , 211 , 217 ...
264 ページ
... Henry IV , I and II , 23n . , 84–5 , 106 , 235 , 243 Henry V , 87 Henry VI , 104 Henry VIII , 104 , 134-8 , 140-2 , 146 , 148 , 153 , 157-8 , 160 , 162-4 , 170 , 229-33 , 235 Julius Caesar , 16n . , 18 , 35 , 39 , 235 , 240 King Lear ...
... Henry IV , I and II , 23n . , 84–5 , 106 , 235 , 243 Henry V , 87 Henry VI , 104 Henry VIII , 104 , 134-8 , 140-2 , 146 , 148 , 153 , 157-8 , 160 , 162-4 , 170 , 229-33 , 235 Julius Caesar , 16n . , 18 , 35 , 39 , 235 , 240 King Lear ...
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action actors Antony and Cleopatra Antony's appears Ariel audience Autolycus Beaumont and Fletcher Blackfriars Caliban character clown comedy Comedy of Errors comic conventions Coriolanus criticism Cymbeline dance death down-stage dramatic dramatist dream earlier effect elements Elizabethan Emilia Enobarbus evidence exile expression Ferdinand final Florizel Globe gods Gonzalo Gower Hamlet Henry VIII Hermione hero honour human imagination Imogen Jacobean Jonson King King's King's Men last plays last scene laughter Lear Leontes lines lovers Macbeth Martius masque Miranda moral Mucedorus narrative nature Noble Kinsmen Octavius Othello Palamon and Arcite Pandosto past pastoral Perdita performance perhaps Pericles play's plot poetic political Polixenes Posthumus present Prince Prospero Queen reference reunion romance Rome Sebastian seems sense Shakespeare Shakespeare's plays Shakespearian soliloquy solo speech speak stage stage-direction story Strachey style suggest tells Tempest theatre theatrical theme Theseus thou Timon tragedies up-stage vision Winter's Tale