Later ShakespeareJohn Russell Brown, Bernard Harris Edward Arnold, 1966 - 264 ページ |
この書籍内から
検索結果1-3 / 36
11 ページ
... Lear as the central Shakes- pearian statement , and the modern interest in the Last Plays as reposi- tories of symbolic wisdom - these are not entirely separate aspects of modernity . For Lear is treasured as the play which , more than ...
... Lear as the central Shakes- pearian statement , and the modern interest in the Last Plays as reposi- tories of symbolic wisdom - these are not entirely separate aspects of modernity . For Lear is treasured as the play which , more than ...
12 ページ
... Lear : Doth Lear walk thus ? speak thus ? Where are his eyes ? Who is it that can tell me who I am ? ( I. iv . 246 ) 3 But what is lost on one side of madness and exile is seen to become un- important when set against what is ...
... Lear : Doth Lear walk thus ? speak thus ? Where are his eyes ? Who is it that can tell me who I am ? ( I. iv . 246 ) 3 But what is lost on one side of madness and exile is seen to become un- important when set against what is ...
14 ページ
... Lear's speeches show anger and self - pity of course , but his self - regard does not explain all the sentiments that appear in them ; they are not merely documents of a desperate mind ; there is also a genuine insight into an objective ...
... Lear's speeches show anger and self - pity of course , but his self - regard does not explain all the sentiments that appear in them ; they are not merely documents of a desperate mind ; there is also a genuine insight into an objective ...
他の版 - すべて表示
多く使われている語句
action actors Antony and Cleopatra Antony's appears Ariel audience Autolycus Beaumont and Fletcher Blackfriars Caliban character clown comedy Comedy of Errors comic conventions Coriolanus criticism Cymbeline dance death down-stage dramatic dramatist dream earlier effect elements Elizabethan Emilia Enobarbus evidence exile expression Ferdinand final Florizel Globe gods Gonzalo Gower Hamlet Henry VIII Hermione hero honour human imagination Imogen Jacobean Jonson King King's King's Men last plays last scene laughter Lear Leontes lines lovers Macbeth Martius masque Miranda moral Mucedorus narrative nature Noble Kinsmen Octavius Othello Palamon and Arcite Pandosto past pastoral Perdita performance perhaps Pericles play's plot poetic political Polixenes Posthumus present Prince Prospero Queen reference reunion romance Rome Sebastian seems sense Shakespeare Shakespeare's plays Shakespearian soliloquy solo speech speak stage stage-direction story Strachey style suggest tells Tempest theatre theatrical theme Theseus thou Timon tragedies up-stage vision Winter's Tale