Later ShakespeareJohn Russell Brown, Bernard Harris Edward Arnold, 1966 - 264 ページ |
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... accept it as basic and inevitable , and the natural result is a diminution in the scope of the individuals who initiate action . The exiles of Cymbeline and The Winter's Tale return , not to take any ' absolute ' revenges , but rather ...
... accept it as basic and inevitable , and the natural result is a diminution in the scope of the individuals who initiate action . The exiles of Cymbeline and The Winter's Tale return , not to take any ' absolute ' revenges , but rather ...
28 ページ
... accept that the two concepts will appear on opposite sides of the dramatic conflict ; and it is this that gives their worlds their common and unique quality . From the views advanced in this essay it follows that the Last Plays have to ...
... accept that the two concepts will appear on opposite sides of the dramatic conflict ; and it is this that gives their worlds their common and unique quality . From the views advanced in this essay it follows that the Last Plays have to ...
119 ページ
... accept the strange , severe and sweetened ( cf. 1. 76 ) theatricality of the concluding scene . Laughter and dreams alike release our fantasies from the restrictive control of our censoring minds ; so , having joined everyman's laughter ...
... accept the strange , severe and sweetened ( cf. 1. 76 ) theatricality of the concluding scene . Laughter and dreams alike release our fantasies from the restrictive control of our censoring minds ; so , having joined everyman's laughter ...
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action actors Antony and Cleopatra Antony's appears Ariel audience Autolycus Beaumont and Fletcher Blackfriars Caliban character clown comedy Comedy of Errors comic conventions Coriolanus criticism Cymbeline dance death down-stage dramatic dramatist dream earlier effect elements Elizabethan Emilia Enobarbus evidence exile expression Ferdinand final Florizel Globe gods Gonzalo Gower Hamlet Henry VIII Hermione hero honour human imagination Imogen Jacobean Jonson King King's King's Men last plays last scene laughter Lear Leontes lines lovers Macbeth Martius masque Miranda moral Mucedorus narrative nature Noble Kinsmen Octavius Othello Palamon and Arcite Pandosto past pastoral Perdita performance perhaps Pericles play's plot poetic political Polixenes Posthumus present Prince Prospero Queen reference reunion romance Rome Sebastian seems sense Shakespeare Shakespeare's plays Shakespearian soliloquy solo speech speak stage stage-direction story Strachey style suggest tells Tempest theatre theatrical theme Theseus thou Timon tragedies up-stage vision Winter's Tale