Later ShakespeareJohn Russell Brown, Bernard Harris Edward Arnold, 1966 - 264 ページ |
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73 ページ
... appear to have sacrificed by his decision to cast his play in an approximation to classical form is discursiveness : the provision of that ' variety of mirth and pastime ' that Elizabethan romancers were so fond of advertising in their ...
... appear to have sacrificed by his decision to cast his play in an approximation to classical form is discursiveness : the provision of that ' variety of mirth and pastime ' that Elizabethan romancers were so fond of advertising in their ...
106 ページ
... appears in IV . ii instead of ' Dogberry ' or ' Constable ' , and Cowley for ' Verges ' , ' Headborough ' or ' Con . 2. ' In Romeo and Juliet , IV . v , the direction ' Enter Will Kemp ' appears instead of ' Enter Peter ' . In each case ...
... appears in IV . ii instead of ' Dogberry ' or ' Constable ' , and Cowley for ' Verges ' , ' Headborough ' or ' Con . 2. ' In Romeo and Juliet , IV . v , the direction ' Enter Will Kemp ' appears instead of ' Enter Peter ' . In each case ...
115 ページ
... appears ( V. ii ) would seem an anti - climax to any actor but a clown . He is now in Sicilia and at first he is but one of an audience for the news of Perdita's reunion with her father . But his presence from the start of the scene ...
... appears ( V. ii ) would seem an anti - climax to any actor but a clown . He is now in Sicilia and at first he is but one of an audience for the news of Perdita's reunion with her father . But his presence from the start of the scene ...
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action actors Antony and Cleopatra Antony's appears Ariel audience Autolycus Beaumont and Fletcher Blackfriars Caliban character clown comedy Comedy of Errors comic conventions Coriolanus criticism Cymbeline dance death down-stage dramatic dramatist dream earlier effect elements Elizabethan Emilia Enobarbus evidence exile expression Ferdinand final Florizel Globe gods Gonzalo Gower Hamlet Henry VIII Hermione hero honour human imagination Imogen Jacobean Jonson King King's King's Men last plays last scene laughter Lear Leontes lines lovers Macbeth Martius masque Miranda moral Mucedorus narrative nature Noble Kinsmen Octavius Othello Palamon and Arcite Pandosto past pastoral Perdita performance perhaps Pericles play's plot poetic political Polixenes Posthumus present Prince Prospero Queen reference reunion romance Rome Sebastian seems sense Shakespeare Shakespeare's plays Shakespearian soliloquy solo speech speak stage stage-direction story Strachey style suggest tells Tempest theatre theatrical theme Theseus thou Timon tragedies up-stage vision Winter's Tale