Later ShakespeareJohn Russell Brown, Bernard Harris Edward Arnold, 1966 - 264 ページ |
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109 ページ
... called forth together , notably bawdy enjoy- ment with some piece of social criticism or a mocking imitation of some unamorous activity ; the school lessons in The Taming of the Shrew are examples of this , or the clown's tilt at ...
... called forth together , notably bawdy enjoy- ment with some piece of social criticism or a mocking imitation of some unamorous activity ; the school lessons in The Taming of the Shrew are examples of this , or the clown's tilt at ...
131 ページ
... called ' literary ' , which may describe ( for example ) a setting which might not have been manifest in the playhouse . Some of the original directions , however , do indicate order of entrance , properties , physical placement of the ...
... called ' literary ' , which may describe ( for example ) a setting which might not have been manifest in the playhouse . Some of the original directions , however , do indicate order of entrance , properties , physical placement of the ...
248 ページ
... called Double Falsehood , which was acted at Drury Lane in 1727 and published in 1728. The question whether Double Falsehood was or was not based on a manuscript or manuscripts of Cardenio is likely to remain unanswered , and even those ...
... called Double Falsehood , which was acted at Drury Lane in 1727 and published in 1728. The question whether Double Falsehood was or was not based on a manuscript or manuscripts of Cardenio is likely to remain unanswered , and even those ...
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action actors Antony and Cleopatra Antony's appears Ariel audience Autolycus Beaumont and Fletcher Blackfriars Caliban character clown comedy Comedy of Errors comic conventions Coriolanus criticism Cymbeline dance death down-stage dramatic dramatist dream earlier effect elements Elizabethan Emilia Enobarbus evidence exile expression Ferdinand final Florizel Globe gods Gonzalo Gower Hamlet Henry VIII Hermione hero honour human imagination Imogen Jacobean Jonson King King's King's Men last plays last scene laughter Lear Leontes lines lovers Macbeth Martius masque Miranda moral Mucedorus narrative nature Noble Kinsmen Octavius Othello Palamon and Arcite Pandosto past pastoral Perdita performance perhaps Pericles play's plot poetic political Polixenes Posthumus present Prince Prospero Queen reference reunion romance Rome Sebastian seems sense Shakespeare Shakespeare's plays Shakespearian soliloquy solo speech speak stage stage-direction story Strachey style suggest tells Tempest theatre theatrical theme Theseus thou Timon tragedies up-stage vision Winter's Tale