Later ShakespeareJohn Russell Brown, Bernard Harris Edward Arnold, 1966 - 264 ページ |
この書籍内から
検索結果1-3 / 66
210 ページ
... dramatic mode is not ' given ' , but something sought through sequence and con- trast and achieved only in a final dramatic revelation . To argue this is to take account , however briefly , both of dramatic theory and theatrical fact ...
... dramatic mode is not ' given ' , but something sought through sequence and con- trast and achieved only in a final dramatic revelation . To argue this is to take account , however briefly , both of dramatic theory and theatrical fact ...
215 ページ
... dramatic crudities required to preserve the barbaric elements of some of its themes . As J. R. Brown comments , the art of Cymbeline is complex as well as primitive , and these two qualities are inter- dependent . The dramatic idiom is ...
... dramatic crudities required to preserve the barbaric elements of some of its themes . As J. R. Brown comments , the art of Cymbeline is complex as well as primitive , and these two qualities are inter- dependent . The dramatic idiom is ...
217 ページ
... dramatic convention to establish contact with other literary modes . J. M. Nos- worthy has shown in the play a ' kind of double signification that belongs to animal fable of the Aesop kind ' in the moral and emblematic associations ...
... dramatic convention to establish contact with other literary modes . J. M. Nos- worthy has shown in the play a ' kind of double signification that belongs to animal fable of the Aesop kind ' in the moral and emblematic associations ...
他の版 - すべて表示
多く使われている語句
action actors Antony and Cleopatra Antony's appears Ariel audience Autolycus Beaumont and Fletcher Blackfriars Caliban character clown comedy Comedy of Errors comic conventions Coriolanus criticism Cymbeline dance death down-stage dramatic dramatist dream earlier effect elements Elizabethan Emilia Enobarbus evidence exile expression Ferdinand final Florizel Globe gods Gonzalo Gower Hamlet Henry VIII Hermione hero honour human imagination Imogen Jacobean Jonson King King's King's Men last plays last scene laughter Lear Leontes lines lovers Macbeth Martius masque Miranda moral Mucedorus narrative nature Noble Kinsmen Octavius Othello Palamon and Arcite Pandosto past pastoral Perdita performance perhaps Pericles play's plot poetic political Polixenes Posthumus present Prince Prospero Queen reference reunion romance Rome Sebastian seems sense Shakespeare Shakespeare's plays Shakespearian soliloquy solo speech speak stage stage-direction story Strachey style suggest tells Tempest theatre theatrical theme Theseus thou Timon tragedies up-stage vision Winter's Tale