Later ShakespeareJohn Russell Brown, Bernard Harris Edward Arnold, 1966 - 264 ページ |
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144 ページ
... fact that Theseus apparently holds the position so long ( there is no indication that , except for this , he has moved since making his entrance ) emphasizes the pictorial quality of the stage rendering , while it is possible that in ...
... fact that Theseus apparently holds the position so long ( there is no indication that , except for this , he has moved since making his entrance ) emphasizes the pictorial quality of the stage rendering , while it is possible that in ...
156 ページ
... fact remains that in comparison to the deep motivation Greene tried to give his hero in Pandosto , Shakespeare has obviously made a special effort to place the impetus for his tale into a single , violently expressed episode . He is not ...
... fact remains that in comparison to the deep motivation Greene tried to give his hero in Pandosto , Shakespeare has obviously made a special effort to place the impetus for his tale into a single , violently expressed episode . He is not ...
158 ページ
... fact is he did nothing of the kind , and it is legitimate to surmise that he regarded this species of enter- tainment as something ephemeral which did not , at this late stage , accord with his accumulated dramatic wisdom and the ...
... fact is he did nothing of the kind , and it is legitimate to surmise that he regarded this species of enter- tainment as something ephemeral which did not , at this late stage , accord with his accumulated dramatic wisdom and the ...
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action actors Antony and Cleopatra Antony's appears Ariel audience Autolycus Beaumont and Fletcher Blackfriars Caliban character clown comedy Comedy of Errors comic conventions Coriolanus criticism Cymbeline dance death down-stage dramatic dramatist dream earlier effect elements Elizabethan Emilia Enobarbus evidence exile expression Ferdinand final Florizel Globe gods Gonzalo Gower Hamlet Henry VIII Hermione hero honour human imagination Imogen Jacobean Jonson King King's King's Men last plays last scene laughter Lear Leontes lines lovers Macbeth Martius masque Miranda moral Mucedorus narrative nature Noble Kinsmen Octavius Othello Palamon and Arcite Pandosto past pastoral Perdita performance perhaps Pericles play's plot poetic political Polixenes Posthumus present Prince Prospero Queen reference reunion romance Rome Sebastian seems sense Shakespeare Shakespeare's plays Shakespearian soliloquy solo speech speak stage stage-direction story Strachey style suggest tells Tempest theatre theatrical theme Theseus thou Timon tragedies up-stage vision Winter's Tale