Later ShakespeareJohn Russell Brown, Bernard Harris Edward Arnold, 1966 - 264 ページ |
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33 ページ
... lovers , but who would not have us take their professions at face value . Most of the ironies in Antony and Cleopatra are not present in Plut- arch's account , because they arise from the extravagant declarations and sublime aspirations ...
... lovers , but who would not have us take their professions at face value . Most of the ironies in Antony and Cleopatra are not present in Plut- arch's account , because they arise from the extravagant declarations and sublime aspirations ...
51 ページ
... lovers - Theagenes and Chariclea . Many episodes could be paralleled at least in outline from Shakespeare's last plays . There is a wicked stepmother on the same pattern as the Queen in Cymbeline ; there is more than one shipwreck ...
... lovers - Theagenes and Chariclea . Many episodes could be paralleled at least in outline from Shakespeare's last plays . There is a wicked stepmother on the same pattern as the Queen in Cymbeline ; there is more than one shipwreck ...
94 ページ
... lovers ' ecstasy not at the lovers ' valuation ( that their love is unique and should , and therefore may , last forever ) but at another , and possibly higher , valuation , knowing — as they do , if Time as Chorus has been effective ...
... lovers ' ecstasy not at the lovers ' valuation ( that their love is unique and should , and therefore may , last forever ) but at another , and possibly higher , valuation , knowing — as they do , if Time as Chorus has been effective ...
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action actors Antony and Cleopatra Antony's appears Ariel audience Autolycus Beaumont and Fletcher Blackfriars Caliban character clown comedy Comedy of Errors comic conventions Coriolanus criticism Cymbeline dance death down-stage dramatic dramatist dream earlier effect elements Elizabethan Emilia Enobarbus evidence exile expression Ferdinand final Florizel Globe gods Gonzalo Gower Hamlet Henry VIII Hermione hero honour human imagination Imogen Jacobean Jonson King King's King's Men last plays last scene laughter Lear Leontes lines lovers Macbeth Martius masque Miranda moral Mucedorus narrative nature Noble Kinsmen Octavius Othello Palamon and Arcite Pandosto past pastoral Perdita performance perhaps Pericles play's plot poetic political Polixenes Posthumus present Prince Prospero Queen reference reunion romance Rome Sebastian seems sense Shakespeare Shakespeare's plays Shakespearian soliloquy solo speech speak stage stage-direction story Strachey style suggest tells Tempest theatre theatrical theme Theseus thou Timon tragedies up-stage vision Winter's Tale