Later ShakespeareJohn Russell Brown, Bernard Harris Edward Arnold, 1966 - 264 ページ |
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... mean by a romance . The very word is shadowy , having associations with literature of various kinds , forms , and periods ... means nothing at all . If the literary genre of romance can be defined - or described - it is not by formal ...
... mean by a romance . The very word is shadowy , having associations with literature of various kinds , forms , and periods ... means nothing at all . If the literary genre of romance can be defined - or described - it is not by formal ...
177 ページ
... means to this end . Important , therefore , though the smoke and noise of battle must be , they must neither of them ... mean as it is small - minded : and in this contrast lies the germ of the play's first climax , the confrontation of ...
... means to this end . Important , therefore , though the smoke and noise of battle must be , they must neither of them ... mean as it is small - minded : and in this contrast lies the germ of the play's first climax , the confrontation of ...
211 ページ
... mean such as are happy in the Italian , Will deign to steal out of this author , mainly : Almost as much as from Montagnié : He has so modern and facile a vein , Fitting the time , and catching the court ear ! ( Volpone , III , ii ) And ...
... mean such as are happy in the Italian , Will deign to steal out of this author , mainly : Almost as much as from Montagnié : He has so modern and facile a vein , Fitting the time , and catching the court ear ! ( Volpone , III , ii ) And ...
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action actors Antony and Cleopatra Antony's appears Ariel audience Autolycus Beaumont and Fletcher Blackfriars Caliban character clown comedy Comedy of Errors comic conventions Coriolanus criticism Cymbeline dance death down-stage dramatic dramatist dream earlier effect elements Elizabethan Emilia Enobarbus evidence exile expression Ferdinand final Florizel Globe gods Gonzalo Gower Hamlet Henry VIII Hermione hero honour human imagination Imogen Jacobean Jonson King King's King's Men last plays last scene laughter Lear Leontes lines lovers Macbeth Martius masque Miranda moral Mucedorus narrative nature Noble Kinsmen Octavius Othello Palamon and Arcite Pandosto past pastoral Perdita performance perhaps Pericles play's plot poetic political Polixenes Posthumus present Prince Prospero Queen reference reunion romance Rome Sebastian seems sense Shakespeare Shakespeare's plays Shakespearian soliloquy solo speech speak stage stage-direction story Strachey style suggest tells Tempest theatre theatrical theme Theseus thou Timon tragedies up-stage vision Winter's Tale