Later ShakespeareJohn Russell Brown, Bernard Harris Edward Arnold, 1966 - 264 ページ |
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183 ページ
... nature Was ever conduct of : some oracle Must rectify our knowledge . And it may be that Prospero quietens the ... nature of man , with the natural world , with the ways of providence , and with the nature of art . Yet 183 The Tempest ...
... nature Was ever conduct of : some oracle Must rectify our knowledge . And it may be that Prospero quietens the ... nature of man , with the natural world , with the ways of providence , and with the nature of art . Yet 183 The Tempest ...
211 ページ
... natural principle , and it would then follow that in a single subject two forms contrary to each other would be included . But art , a most prudent imitator of nature , plays the part of the intrinsic principle , and while nature alters ...
... natural principle , and it would then follow that in a single subject two forms contrary to each other would be included . But art , a most prudent imitator of nature , plays the part of the intrinsic principle , and while nature alters ...
221 ページ
... nature of the Flames , warme further of , and burning neerer . ( B4 ) There seems nothing esoteric about Cymbeline , and Shakespeare did not need to be privy to the conversation of a king who would declare at his own table that ' the ...
... nature of the Flames , warme further of , and burning neerer . ( B4 ) There seems nothing esoteric about Cymbeline , and Shakespeare did not need to be privy to the conversation of a king who would declare at his own table that ' the ...
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action actors Antony and Cleopatra Antony's appears Ariel audience Autolycus Beaumont and Fletcher Blackfriars Caliban character clown comedy Comedy of Errors comic conventions Coriolanus criticism Cymbeline dance death down-stage dramatic dramatist dream earlier effect elements Elizabethan Emilia Enobarbus evidence exile expression Ferdinand final Florizel Globe gods Gonzalo Gower Hamlet Henry VIII Hermione hero honour human imagination Imogen Jacobean Jonson King King's King's Men last plays last scene laughter Lear Leontes lines lovers Macbeth Martius masque Miranda moral Mucedorus narrative nature Noble Kinsmen Octavius Othello Palamon and Arcite Pandosto past pastoral Perdita performance perhaps Pericles play's plot poetic political Polixenes Posthumus present Prince Prospero Queen reference reunion romance Rome Sebastian seems sense Shakespeare Shakespeare's plays Shakespearian soliloquy solo speech speak stage stage-direction story Strachey style suggest tells Tempest theatre theatrical theme Theseus thou Timon tragedies up-stage vision Winter's Tale