Later ShakespeareJohn Russell Brown, Bernard Harris Edward Arnold, 1966 - 264 ページ |
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... present of the play the partial life lived by Octavius , and the other partial life , lived to the full by Antony , are as incapable of fusion as time present and time past . Octavius and Antony are affected equally by this ; but ...
... present of the play the partial life lived by Octavius , and the other partial life , lived to the full by Antony , are as incapable of fusion as time present and time past . Octavius and Antony are affected equally by this ; but ...
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... present tense and the foreground . But only generally : for in Shakespeare , as in other authors , the general alignment of foreground ( here ) and present tense ( now ) of the drama , as opposed to background ( there ) and past tense ...
... present tense and the foreground . But only generally : for in Shakespeare , as in other authors , the general alignment of foreground ( here ) and present tense ( now ) of the drama , as opposed to background ( there ) and past tense ...
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... Present Perfect ( since the auxiliary have possesses a Present inflexion and conveys a measure of its Present meaning to the past participle loved ) , and ( c ) the Emphatic Present Perfect ( did ex- presses past - ness but , variably ...
... Present Perfect ( since the auxiliary have possesses a Present inflexion and conveys a measure of its Present meaning to the past participle loved ) , and ( c ) the Emphatic Present Perfect ( did ex- presses past - ness but , variably ...
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action actors Antony and Cleopatra Antony's appears Ariel audience Autolycus Beaumont and Fletcher Blackfriars Caliban character clown comedy Comedy of Errors comic conventions Coriolanus criticism Cymbeline dance death down-stage dramatic dramatist dream earlier effect elements Elizabethan Emilia Enobarbus evidence exile expression Ferdinand final Florizel Globe gods Gonzalo Gower Hamlet Henry VIII Hermione hero honour human imagination Imogen Jacobean Jonson King King's King's Men last plays last scene laughter Lear Leontes lines lovers Macbeth Martius masque Miranda moral Mucedorus narrative nature Noble Kinsmen Octavius Othello Palamon and Arcite Pandosto past pastoral Perdita performance perhaps Pericles play's plot poetic political Polixenes Posthumus present Prince Prospero Queen reference reunion romance Rome Sebastian seems sense Shakespeare Shakespeare's plays Shakespearian soliloquy solo speech speak stage stage-direction story Strachey style suggest tells Tempest theatre theatrical theme Theseus thou Timon tragedies up-stage vision Winter's Tale