Later ShakespeareJohn Russell Brown, Bernard Harris Edward Arnold, 1966 - 264 ページ |
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... sense plays of exile ; there is an obvious physical exile in Timon and Coriolanus , and a more complex psychological exile from social normality in Macbeth and Antony . And all of them are plays of exile in the Timon rather than the ...
... sense plays of exile ; there is an obvious physical exile in Timon and Coriolanus , and a more complex psychological exile from social normality in Macbeth and Antony . And all of them are plays of exile in the Timon rather than the ...
67 ページ
... sense they are far more romantic ; they are suffused by a passion that is real in a poetic , not an everyday , sense . Certainly the sheep - shearing scenes represent an almost total transformation of the original . Greene's lovers are ...
... sense they are far more romantic ; they are suffused by a passion that is real in a poetic , not an everyday , sense . Certainly the sheep - shearing scenes represent an almost total transformation of the original . Greene's lovers are ...
71 ページ
... sense he is the ' god of this great vast ' on whom Pericles calls . He has superhuman power , yet remains human . He is both god and man , a worker of miracles who finally accepts the full burden of humanity . At times it is difficult ...
... sense he is the ' god of this great vast ' on whom Pericles calls . He has superhuman power , yet remains human . He is both god and man , a worker of miracles who finally accepts the full burden of humanity . At times it is difficult ...
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action actors Antony and Cleopatra Antony's appears Ariel audience Autolycus Beaumont and Fletcher Blackfriars Caliban character clown comedy Comedy of Errors comic conventions Coriolanus criticism Cymbeline dance death down-stage dramatic dramatist dream earlier effect elements Elizabethan Emilia Enobarbus evidence exile expression Ferdinand final Florizel Globe gods Gonzalo Gower Hamlet Henry VIII Hermione hero honour human imagination Imogen Jacobean Jonson King King's King's Men last plays last scene laughter Lear Leontes lines lovers Macbeth Martius masque Miranda moral Mucedorus narrative nature Noble Kinsmen Octavius Othello Palamon and Arcite Pandosto past pastoral Perdita performance perhaps Pericles play's plot poetic political Polixenes Posthumus present Prince Prospero Queen reference reunion romance Rome Sebastian seems sense Shakespeare Shakespeare's plays Shakespearian soliloquy solo speech speak stage stage-direction story Strachey style suggest tells Tempest theatre theatrical theme Theseus thou Timon tragedies up-stage vision Winter's Tale