Later ShakespeareJohn Russell Brown, Bernard Harris Edward Arnold, 1966 - 264 ページ |
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... speaks her name though his is always on her lips , and he never regards her as an equal or as having any claim upon him . When he decides to return to Egypt , he speaks of her as his pleasure . As Antony's world shrinks , his hyperbole ...
... speaks her name though his is always on her lips , and he never regards her as an equal or as having any claim upon him . When he decides to return to Egypt , he speaks of her as his pleasure . As Antony's world shrinks , his hyperbole ...
133 ページ
... speak to one or more at a time , or speak without actually addressing any , or in asides to the audience , or ... speaks , in all likelihood , while carrying logs ( III . i . 1–17 ) ; and Palamon and Arcite joke boisterously while ...
... speak to one or more at a time , or speak without actually addressing any , or in asides to the audience , or ... speaks , in all likelihood , while carrying logs ( III . i . 1–17 ) ; and Palamon and Arcite joke boisterously while ...
148 ページ
... speaks to his lords , reprimands an attendant , looks carefully at the reviving Thaisa , and muses to himself for a line or two ; Henry VIII toasts Anne Bullen , and addresses a whole company ( I. iv . 94-7 ) ; the old shepherd ...
... speaks to his lords , reprimands an attendant , looks carefully at the reviving Thaisa , and muses to himself for a line or two ; Henry VIII toasts Anne Bullen , and addresses a whole company ( I. iv . 94-7 ) ; the old shepherd ...
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action actors Antony and Cleopatra Antony's appears Ariel audience Autolycus Beaumont and Fletcher Blackfriars Caliban character clown comedy Comedy of Errors comic conventions Coriolanus criticism Cymbeline dance death down-stage dramatic dramatist dream earlier effect elements Elizabethan Emilia Enobarbus evidence exile expression Ferdinand final Florizel Globe gods Gonzalo Gower Hamlet Henry VIII Hermione hero honour human imagination Imogen Jacobean Jonson King King's King's Men last plays last scene laughter Lear Leontes lines lovers Macbeth Martius masque Miranda moral Mucedorus narrative nature Noble Kinsmen Octavius Othello Palamon and Arcite Pandosto past pastoral Perdita performance perhaps Pericles play's plot poetic political Polixenes Posthumus present Prince Prospero Queen reference reunion romance Rome Sebastian seems sense Shakespeare Shakespeare's plays Shakespearian soliloquy solo speech speak stage stage-direction story Strachey style suggest tells Tempest theatre theatrical theme Theseus thou Timon tragedies up-stage vision Winter's Tale