Later ShakespeareJohn Russell Brown, Bernard Harris Edward Arnold, 1966 - 264 ページ |
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128 ページ
... suggest that the style of Elizabethan acting itself did not develop ; there is some evidence that this took place in any case , regard- less of the auspices of performance . But because the moral and literary qualities of the last plays ...
... suggest that the style of Elizabethan acting itself did not develop ; there is some evidence that this took place in any case , regard- less of the auspices of performance . But because the moral and literary qualities of the last plays ...
153 ページ
... suggested a full - blown speech . An examination of Pericles , Cymbeline , The Winter's Tale , The Tempest , Henry VIII , and The Two Noble Kinsmen indicates on the whole a curious diminishing of ... suggest THE STAGING OF THE LAST PLAYS 153.
... suggested a full - blown speech . An examination of Pericles , Cymbeline , The Winter's Tale , The Tempest , Henry VIII , and The Two Noble Kinsmen indicates on the whole a curious diminishing of ... suggest THE STAGING OF THE LAST PLAYS 153.
249 ページ
... suggested by unequivocal changes of style from scene to scene , such as are found in The Two Noble Kinsmen . This lack ... suggest a growing acceptance of the claim made on the title - page of the quarto of 1634 that the play was Written ...
... suggested by unequivocal changes of style from scene to scene , such as are found in The Two Noble Kinsmen . This lack ... suggest a growing acceptance of the claim made on the title - page of the quarto of 1634 that the play was Written ...
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action actors Antony and Cleopatra Antony's appears Ariel audience Autolycus Beaumont and Fletcher Blackfriars Caliban character clown comedy Comedy of Errors comic conventions Coriolanus criticism Cymbeline dance death down-stage dramatic dramatist dream earlier effect elements Elizabethan Emilia Enobarbus evidence exile expression Ferdinand final Florizel Globe gods Gonzalo Gower Hamlet Henry VIII Hermione hero honour human imagination Imogen Jacobean Jonson King King's King's Men last plays last scene laughter Lear Leontes lines lovers Macbeth Martius masque Miranda moral Mucedorus narrative nature Noble Kinsmen Octavius Othello Palamon and Arcite Pandosto past pastoral Perdita performance perhaps Pericles play's plot poetic political Polixenes Posthumus present Prince Prospero Queen reference reunion romance Rome Sebastian seems sense Shakespeare Shakespeare's plays Shakespearian soliloquy solo speech speak stage stage-direction story Strachey style suggest tells Tempest theatre theatrical theme Theseus thou Timon tragedies up-stage vision Winter's Tale