These form the Trimourtee, or Trinity, as it has been called, of the Bramins. The allegory is obvious, but has been made for the Trimourtee, not the Trimourtee for the allegory; and these Deities are regarded by the people as three distinct and personal Gods. The two latter have at this day their hostile sects of worshippers: that of Seeva is the most numerous; and, in this poem, Seeva is represented as supreme among the Gods. This is the same God whose name is variously written Seeb, Sieven, and Siva; Chiven by the French; Xiven by the Portuguese; and whom European writers sometimes denominate Eswara, Iswaren, Mahadeo, Mahadeva, Rutren, according to which of his thousand and eight names prevailed in the country where they obtained their information. God of the Elements. his Paradise,-- one of the Hindoo heavens. Lord of Hell, and Judge of the Dead. under the Earth, And, like the Earth, of an octagon shape: its eight gates are guarded by as many Gods. His statues are placed in the highways, and sometimes in a small, lonely sanctuary, in the streets and in the fields. the Father of the Immortals. the Inferior Deities. Good Spirits. Evil Spirits, or Devils. the most beautiful of the Good Spirits. the Grindouvers of Sonnerat. THE CURSE OF KEHAMA. I. THE FUNERAL. 1. MIDNIGHT, and yet no eye Through all the Imperial City closed in sleep! Behold her streets ablaze With light that seems to kindle the red sky, Her myriads swarming through the crowded ways! Master and slave, old age and infancy, All, all, abroad to gaze: House-top and balcony Clustered with women, who throw back their veils, As if the mournful rite Were but to them a scene of joyance and delight. 2. Vainly, ye blessed twinklers of the night! Quenched in the unnatural light which might out stare Even the broad eye of day; Blotting the lights of heaven With one portentous glare. Behold, the fragrant smoke, in many a fold A dark and waving canopy! 3. Hark! 'tis the funeral trumpet's breath! At once ten thousand drums begin, Amid the deafening sound: You hear no more the trumpet's tone, You hear no more the mourner's moan, Though the trumpet's breath and the dirge of death Swell with commingled force the funeral yell. But, rising over all, in one acclaim Is heard the echoed and re-echoed name Ten times ten thousand voices in one shout 4. The death-procession moves along : The universal multitude reply. In vain ye thunder on his ear the name: Which o'er his cheek a reddening shade hath shed. But the motion comes froin the bearers' tread, As the body, borne aloft in state, Sways with the impulse of its own dead weight. |