The Perversity of Poetry: Romantic Ideology and the Popular Male Poet of GeniusSUNY Press, 2005/01/01 - 208 ページ Once the dominant literary form, poetry was gradually eclipsed by the realist novel; indeed, by 1940 W. H. Auden was able to note, Poetry makes nothing happen. In The Perversity of Poetry, Dino Franco Felluga explores the cultural background of poetry s marginalization by examining nineteenth-century reactions to Romantic poetry and ideology. Focusing on the work of Sir Walter Scott and Lord Byron, as well as periodical reviews, student manuals, and contemporary medical journals, the book details the period s two contending (and equally outrageous) claims regarding poetry. Scott s poetry, on the one hand, was continually represented as a panacea for a modern world overtaken by new principles of utilitarianism, capitalism, industrialism, and democracy. Byron s, by contrast, was represented either as a cancer in the heart of the social order or as a contagious pandemic leading to various pathological symptoms. The book concludes with a coda on Alfred Lord Tennyson, which illustrates how the Victorian reception of Scott and Byron affected the most popular poetic genius of midcentury. Ultimately, The Perversity of Poetry uncovers how the shift to a rhetoric of health allowed critics to oppose what they perceived as a potent and potentially dangerous influence on the age, the very thing that would over the course of the century be marginalized into such obscurity: poetry, thanks to its perverse insistence on making something happen. |
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1 ページ
... period . Poetry did not , in other words , go quietly into high culture's good night . This book focuses on three things associated with poetry in the Roman- tic and early Victorian period that complicate the attribution of high ...
... period . Poetry did not , in other words , go quietly into high culture's good night . This book focuses on three things associated with poetry in the Roman- tic and early Victorian period that complicate the attribution of high ...
2 ページ
... period , albeit an effect that was undercut by a medico - moral rheto- ric of health and perversity not only applied to both poets but also invited by both poets in order to screen or figure their political messages . What is so ...
... period , albeit an effect that was undercut by a medico - moral rheto- ric of health and perversity not only applied to both poets but also invited by both poets in order to screen or figure their political messages . What is so ...
3 ページ
... period . 1 The notions of genius , the melan- cholic , and the Satanic hero will occupy me throughout since the interrelated concepts illustrate how closely intertwined were the notions of the revolution- ary and the valetudinary for ...
... period . 1 The notions of genius , the melan- cholic , and the Satanic hero will occupy me throughout since the interrelated concepts illustrate how closely intertwined were the notions of the revolution- ary and the valetudinary for ...
4 ページ
... period . Indeed , as far as the Romantic public was concerned , Scott and Byron were the main poets of the period and the romance form was the dominant genre , just as for the Victorians Tennyson was the representative poet of the age ...
... period . Indeed , as far as the Romantic public was concerned , Scott and Byron were the main poets of the period and the romance form was the dominant genre , just as for the Victorians Tennyson was the representative poet of the age ...
5 ページ
... period themselves for the purpose of reducing generic complexity to the more easily perceived playing field of an agonistic battle . In other words , the dialectical model served an ideological function for nineteenth - century poets ...
... period themselves for the purpose of reducing generic complexity to the more easily perceived playing field of an agonistic battle . In other words , the dialectical model served an ideological function for nineteenth - century poets ...
目次
Diagnosing Genius The Tropic Body and the constitution of the Man of Letters | 13 |
Romanticisms Last Minstrel Scott Ideological Fetishes and the Technology of the Book | 33 |
Byrons Spectropoetics and Revolution | 71 |
Poetry and Pathology | 105 |
Tennysons Idylls Pure Poetry and the Market | 143 |
Notes | 163 |
183 | |
199 | |
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acknowledged aligned argues associated Autoeroticism Beddoes Britain British Bulwer-Lytton Byron's poetry Cambridge capitalist chapter characterization Childe Harold chivalry constitution critics critique culture cure D'Israeli dangerous desire diagnose disease dissemination Don Juan edition effect eighteenth century English Essays Eve Sedgwick example explains explored fact fantasy feeling fetish fiction figure George IV's Guinevere hauntology ideal ideological imagination influence insanity Jeffrey John King Last Minstrel Leigh Hunt Letters literary literature Lord Byron madness maneuver mass market masturbation medical tracts medicine medieval melancholia melancholic mental metrical romances mind moral nerves nervous nineteenth century novel Onanism passions pathologization perversity poem poet of genius poetic poetry's political popular precisely present prose published pure radical reader reading revolutionary rhetoric romance form Romantic period Romantic poet Romanticism Satanic sense sexual shillings social body spermatorrhoea spirit strategy t]he temperament Tennyson threatening Tissot tradition turn Victorian period Waverley novels writing Žižek