Dramatis Personae: The Rise of Medieval and Renaissance TheatrePeter Owen, 2006 - 931 ページ Touching on "Passion Plays" and "Mysteries and Moralities," this exploration also examines the folk farces that flourished during the Middle Ages. Discussing developments during the Renaissance in Italy such as the commedia dell'arte as well as exalted musical innovations culminating in operas and ballets, the book also discusses the drama of Europe--including Spain, France, Germany, Holland, and Great Britain--where theater reached an extraordinary climax in the Elizabethan and Jacobean periods in the work of Shakespeare and others. Providing a summary of Shakespeare's plays and how they have been interpreted through the centuries, this account also examines in detail his contemporaries--Marlowe, Kyd, Ford, Beaumont, Fletcher, and others-- before considering the work of Jonson and Webster, two great dramatists who outlived the Bard. |
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... Roman writers themselves blended ideas from several earlier Greek New Comedies . Ariosto's work , in turn , inspired bits of Shakespeare's The Taming of the Shrew ( 1593-4 ) and much more of William Wycherley's The Country Wife ( 1675 ) ...
... Roman writers themselves blended ideas from several earlier Greek New Comedies . Ariosto's work , in turn , inspired bits of Shakespeare's The Taming of the Shrew ( 1593-4 ) and much more of William Wycherley's The Country Wife ( 1675 ) ...
329 ページ
... Roman public , which led to his receiving a commission to write the score for Metastasio's L'Olimpiade , a production scheduled for Carnival at the Teatro Tordi- nona in the Holy City in 1735. This did not go well . Metastasio , in ...
... Roman public , which led to his receiving a commission to write the score for Metastasio's L'Olimpiade , a production scheduled for Carnival at the Teatro Tordi- nona in the Holy City in 1735. This did not go well . Metastasio , in ...
431 ページ
... Roman tragedies - above all , Seneca - and comedies - essentially Plautus and Terence - which began in the schools and often led to presentations by students , particularly in the Jesuit colleges , the evangelical order that emphasized ...
... Roman tragedies - above all , Seneca - and comedies - essentially Plautus and Terence - which began in the schools and often led to presentations by students , particularly in the Jesuit colleges , the evangelical order that emphasized ...
目次
Preface | 17 |
Medieval Farces | 87 |
The Feast of Asses and the Feast of Fools | 97 |
著作権 | |
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acting action actors Aretino Arlecchino artistic audience ballet Ben Jonson century characters Church classical comedy comic commedia dell'arte composed costumes court critics Cymbeline dance daughter death decades dialogue drama dramatist Duke earlier Elizabethan English farce father Faustus Festival figure Florence French genre Giovanni Hamlet Henry honour Hôtel de Bourgogne humour husband Italian Italy John Jonson King lady later Latin Lear libretto London Lope Lope de Vega lovers Macbeth Mantua Marlowe Marlowe's marriage married medieval moral offering opera opera seria Othello passion performance perhaps person Plautus play players playwright plot poet poetry popular portrayed Prince production Queen Renaissance Richard Richard II role Roman Rome royal scene scholars score script seeks servant Shakespeare Spanish spectators stage story T.S. Eliot Tamburlaine theatre theatrical tragedy tragicomedy troupe turn Venice verse Volpone wedding wife writing wrote young