Dramatis Personae: The Rise of Medieval and Renaissance TheatrePeter Owen, 2006 - 931 ページ Touching on "Passion Plays" and "Mysteries and Moralities," this exploration also examines the folk farces that flourished during the Middle Ages. Discussing developments during the Renaissance in Italy such as the commedia dell'arte as well as exalted musical innovations culminating in operas and ballets, the book also discusses the drama of Europe--including Spain, France, Germany, Holland, and Great Britain--where theater reached an extraordinary climax in the Elizabethan and Jacobean periods in the work of Shakespeare and others. Providing a summary of Shakespeare's plays and how they have been interpreted through the centuries, this account also examines in detail his contemporaries--Marlowe, Kyd, Ford, Beaumont, Fletcher, and others-- before considering the work of Jonson and Webster, two great dramatists who outlived the Bard. |
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... script depicts the vintners as Papists , guilty of having killed God's beloved son . At twenty , Christoph Stummel of Frankfurt an der Oder was a student of theology and philosophy . Among his professors was Jodocus Willich , who was an ...
... script depicts the vintners as Papists , guilty of having killed God's beloved son . At twenty , Christoph Stummel of Frankfurt an der Oder was a student of theology and philosophy . Among his professors was Jodocus Willich , who was an ...
377 ページ
... script and acting but on the players ' lavish dress as well . In 1534 Charles V tried to curb the excessive outlays by a decree , and subsequent administrations continued to enforce more limits . Further , in 1653 women were singled out ...
... script and acting but on the players ' lavish dress as well . In 1534 Charles V tried to curb the excessive outlays by a decree , and subsequent administrations continued to enforce more limits . Further , in 1653 women were singled out ...
517 ページ
... script had been reshaped . ( A measure of courtesy between faculty colleagues , as well as their regard for students ' feelings , may have been influential here . ) Overall , it would seem that this Tamburlaine was deprived of much of ...
... script had been reshaped . ( A measure of courtesy between faculty colleagues , as well as their regard for students ' feelings , may have been influential here . ) Overall , it would seem that this Tamburlaine was deprived of much of ...
目次
Preface | 17 |
Medieval Farces | 87 |
The Feast of Asses and the Feast of Fools | 97 |
著作権 | |
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acting action actors Aretino Arlecchino artistic audience ballet Ben Jonson century characters Church classical comedy comic commedia dell'arte composed costumes court critics Cymbeline dance daughter death decades dialogue drama dramatist Duke earlier Elizabethan English farce father Faustus Festival figure Florence French genre Giovanni Hamlet Henry honour Hôtel de Bourgogne humour husband Italian Italy John Jonson King lady later Latin Lear libretto London Lope Lope de Vega lovers Macbeth Mantua Marlowe Marlowe's marriage married medieval moral offering opera opera seria Othello passion performance perhaps person Plautus play players playwright plot poet poetry popular portrayed Prince production Queen Renaissance Richard Richard II role Roman Rome royal scene scholars score script seeks servant Shakespeare Spanish spectators stage story T.S. Eliot Tamburlaine theatre theatrical tragedy tragicomedy troupe turn Venice verse Volpone wedding wife writing wrote young