Dramatis Personae: The Rise of Medieval and Renaissance TheatrePeter Owen, 2006 - 931 ページ Touching on "Passion Plays" and "Mysteries and Moralities," this exploration also examines the folk farces that flourished during the Middle Ages. Discussing developments during the Renaissance in Italy such as the commedia dell'arte as well as exalted musical innovations culminating in operas and ballets, the book also discusses the drama of Europe--including Spain, France, Germany, Holland, and Great Britain--where theater reached an extraordinary climax in the Elizabethan and Jacobean periods in the work of Shakespeare and others. Providing a summary of Shakespeare's plays and how they have been interpreted through the centuries, this account also examines in detail his contemporaries--Marlowe, Kyd, Ford, Beaumont, Fletcher, and others-- before considering the work of Jonson and Webster, two great dramatists who outlived the Bard. |
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... took more than two hours . [ An excerpt from his diary , quoted by Berthold ] Passion Plays in France reached their apex in the fifteenth and sixteenth centuries . One , for which Arnoul Gréban prepared a script of almost 35,000 lines , ...
... took more than two hours . [ An excerpt from his diary , quoted by Berthold ] Passion Plays in France reached their apex in the fifteenth and sixteenth centuries . One , for which Arnoul Gréban prepared a script of almost 35,000 lines , ...
119 ページ
... took considerable licence in changing the storyline . Historical facts might also be altered . For the most part , however , originality was lacking . If this large , earnest body of work failed , it may have been because its ...
... took considerable licence in changing the storyline . Historical facts might also be altered . For the most part , however , originality was lacking . If this large , earnest body of work failed , it may have been because its ...
372 ページ
... took no overt exception and accepted Naharro's dedi- cation to him of a printed edition of the work . Naharro took quick advantage of the Pope's mood of leniency . Collecting a number of his plays , he issued them that very year , 1517 ...
... took no overt exception and accepted Naharro's dedi- cation to him of a printed edition of the work . Naharro took quick advantage of the Pope's mood of leniency . Collecting a number of his plays , he issued them that very year , 1517 ...
目次
Preface | 17 |
Medieval Farces | 87 |
The Feast of Asses and the Feast of Fools | 97 |
著作権 | |
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acting action actors Aretino Arlecchino artistic audience ballet Ben Jonson century characters Church classical comedy comic commedia dell'arte composed costumes court critics Cymbeline dance daughter death decades dialogue drama dramatist Duke earlier Elizabethan English farce father Faustus Festival figure Florence French genre Giovanni Hamlet Henry honour Hôtel de Bourgogne humour husband Italian Italy John Jonson King lady later Latin Lear libretto London Lope Lope de Vega lovers Macbeth Mantua Marlowe Marlowe's marriage married medieval moral offering opera opera seria Othello passion performance perhaps person Plautus play players playwright plot poet poetry popular portrayed Prince production Queen Renaissance Richard Richard II role Roman Rome royal scene scholars score script seeks servant Shakespeare Spanish spectators stage story T.S. Eliot Tamburlaine theatre theatrical tragedy tragicomedy troupe turn Venice verse Volpone wedding wife writing wrote young