Dramatis Personae: The Rise of Medieval and Renaissance TheatrePeter Owen, 2006 - 931 ページ Touching on "Passion Plays" and "Mysteries and Moralities," this exploration also examines the folk farces that flourished during the Middle Ages. Discussing developments during the Renaissance in Italy such as the commedia dell'arte as well as exalted musical innovations culminating in operas and ballets, the book also discusses the drama of Europe--including Spain, France, Germany, Holland, and Great Britain--where theater reached an extraordinary climax in the Elizabethan and Jacobean periods in the work of Shakespeare and others. Providing a summary of Shakespeare's plays and how they have been interpreted through the centuries, this account also examines in detail his contemporaries--Marlowe, Kyd, Ford, Beaumont, Fletcher, and others-- before considering the work of Jonson and Webster, two great dramatists who outlived the Bard. |
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... true John Bull " . In Cope's view Joey was like Ruzzante as created by Angelo Beolco three centuries earlier , " the countryman alternately , simultaneously dumb and shrewd , butt and trick- ster " . The largely universal figures of the ...
... true John Bull " . In Cope's view Joey was like Ruzzante as created by Angelo Beolco three centuries earlier , " the countryman alternately , simultaneously dumb and shrewd , butt and trick- ster " . The largely universal figures of the ...
575 ページ
... true of Shakespeare's sonnets . They may have been an overstated attempt by their author to earn again the favour of his wealthy and influential patron . Finding them too explicit , he did not submit them to Southampton or to " Mr W.H. ...
... true of Shakespeare's sonnets . They may have been an overstated attempt by their author to earn again the favour of his wealthy and influential patron . Finding them too explicit , he did not submit them to Southampton or to " Mr W.H. ...
759 ページ
... true . NOBLE : It's true . Above all , to Noble , the play is a " shimmering fantasy " . Some scholars may wonder if Shake- speare had these profound didactic and metaphysical intentions when writing it , or whether he was simply trying ...
... true . NOBLE : It's true . Above all , to Noble , the play is a " shimmering fantasy " . Some scholars may wonder if Shake- speare had these profound didactic and metaphysical intentions when writing it , or whether he was simply trying ...
目次
Preface | 17 |
Medieval Farces | 87 |
The Feast of Asses and the Feast of Fools | 97 |
著作権 | |
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acting action actors Aretino Arlecchino artistic audience ballet Ben Jonson century characters Church classical comedy comic commedia dell'arte composed costumes court critics Cymbeline dance daughter death decades dialogue drama dramatist Duke earlier Elizabethan English farce father Faustus Festival figure Florence French genre Giovanni Hamlet Henry honour Hôtel de Bourgogne humour husband Italian Italy John Jonson King lady later Latin Lear libretto London Lope Lope de Vega lovers Macbeth Mantua Marlowe Marlowe's marriage married medieval moral offering opera opera seria Othello passion performance perhaps person Plautus play players playwright plot poet poetry popular portrayed Prince production Queen Renaissance Richard Richard II role Roman Rome royal scene scholars score script seeks servant Shakespeare Spanish spectators stage story T.S. Eliot Tamburlaine theatre theatrical tragedy tragicomedy troupe turn Venice verse Volpone wedding wife writing wrote young