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Yet he was kind, or, if severe in aught,
The love he bore to learning was in fault;

The village all declared how much he knew:
'Twas certain he could write and cipher too;
Lands he could measure, terms and tides presage,
And even the story ran that he could gauge ;
In arguing, too, the parson owned his skill,
For even tho' vanquished, he could argue still;

While words of learned length and thundering sound
Amazed the gazing rustics ranged around;

And still they gazed, and still the wonder grew,
That one small head could carry all he knew.
But past is all his fame. The very spot
Where many a time he triumphed, is forgot.
Near yonder thorn, that lifts its head on high,
Where once the sign-post caught the passing eye,
Low lies that house where nut-brown draughts inspired,
Where gray-beard mirth and smiling toil retired,
Where village statesmen talked with looks profound,
And news much older than their ale went round.
Imagination fondly stoops to trace

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The parlor splendors of that festive place:

The white-washed wall, the nicely sanded floor,

The varnished clock that clicked behind the door ;

The chest contrived a double debt to pay,

A bed by night, a chest of drawers by day;
The pictures placed for ornament and use,
The twelve good rules, the royal game of goose;
The hearth, except when winter chilled the day,
With aspen boughs, and flowers and fennel gay;
While broken tea-cups, wisely kept for show,
Ranged o'er the chimney, glistened in a row.

Vain transitory splendors! could not all
Reprieve the tottering mansion from its fall!
Obscure it sinks, nor shall it more impart

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An hour's importance to the poor man's heart;
Thither no more the peasant shall repair
To sweet oblivion of his daily care;
No more the farmer's news, the barber's tale,
No more the wood-man's ballad shall prevail;
No more the smith his dusky brow shall clear,
Relax his ponderous strength, and lean to hear;
The host himself no longer shall be found
Careful to see the mantling bliss go round;
Nor the coy maid, half willing to be prest,
Shall kiss the cup to pass it to the rest.

Yes! let the rich deride, the proud disdain,
These simple blessings of the lowly train ;
To me more dear, congenial to my heart,
One native charm, than all the gloss of art;
Spontaneous joys, where nature has its play,
The soul adopts, and owns their first-born sway:
Lightly they frolic o'er the vacant mind,
Unenvied, unmolested, unconfined.

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But the long pomp, the midnight masquerade,
With all the freaks of wanton wealth arrayed,

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In these, ere triflers half their wish obtain,
The toiling pleasure sickens into pain;
And, even while fashion's brightest arts decoy,
The heart distrusting asks, if this be joy.

Ye friends to truth, ye statesmen who survey
The rich man's joys increase, the poor's decay,
'Tis yours to judge how wide the limits stand
Between a splendid and an happy land.
Proud swells the tide with loads of freighted ore,
And shouting Folly hails them from her shore;
Hoards even beyond the miser's wish abound,
And rich men flock from all the world around.
Yet count our gains. This wealth is but a name
That leaves our useful products still the same.

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Not so the loss. The man of wealth and pride
Takes up a space that many poor supplied;
Space for his lake, his park's extended bounds,
Space for his horses, equipage, and hounds;
The robe that wraps his limbs in silken sloth,

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Has robbed the neighboring fields of half their growth; 280
His seat, where solitary sports are seen,

Indignant spurns the cottage from the green;
Around the world each needful product flies,
For all the luxuries the world supplies;
While thus the land, adorned for pleasure, all
In barren splendor feebly waits the fall.

As some fair female, unadorned and plain,
Secure to please while youth confirms her reign,
Slights every borrowed charm that dress supplies,
Nor shares with art the triumph of her eyes;

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But when those charms are past, for charms are frail,

When time advances, and when lovers fail,

She then shines forth, solicitous to bless,

In all the glaring impotence of dress.
Thus fares the land, by luxury betrayed,
In nature's simplest charms at first arrayed,

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But verging to decline, its splendors rise,
Its vistas strike, its palaces surprise ;

While, scourged by famine from the smiling land,
The mournful peasant leads his humble band;
And while he sinks, without one arm to save,
The country blooms - a garden and a grave.
Where then, ah! where, shall poverty reside,
To scape the pressure of contiguous pride?
If to some common's fenceless limits strayed
He drives his flock to pick the scanty blade,
Those fenceless fields the sons of wealth divide,
And even the bare-worn common is denied.

If to the city sped — what waits him there?

-

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To see profusion that he must not share;
To see ten thousand baneful arts combined
To pamper luxury, and thin mankind;

To see those joys the sons of pleasure know
Extorted from his fellow-creature's woe.
Here while the courtier glitters in brocade,
There the pale artist plies the sickly trade;
Here, while the proud their long-drawn pomps display,
There the black gibbet glooms beside the way.
The dome where pleasure holds her midnight reign,
Here, richly decked, admits the gorgeous train;
Tumultuous grandeur crowds the blazing square,
The rattling chariots clash, the torches glare.
Sure scenes like these no troubles e'er annoy!

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Sure these denote one universal joy!

Are these thy serious thoughts? Ah, turn thine eyes

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Where the poor houseless shivering female lies.

She once, perhaps, in village plenty blest,

Has wept at tales of innocence distrest;
Her modest looks the cottage might adorn,
Sweet as the primrose peeps beneath the thorn;
Now lost to all; her friends, her virtue fled,
Near her betrayer's door she lays her head,
And, pinched with cold, and shrinking from the shower,
With heavy heart deplores that luckless hour,

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When idly first, ambitious of the town,

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She left her wheel and robes of country brown.

Do thine, sweet Auburn,-thine, the loveliest train,

Do thy fair tribes participate her pain?

Even now, perhaps, by cold and hunger led,

At proud men's doors they ask a little bread!
Ah, no! To distant climes, a dreary scene,
Where half the convex world intrudes between,
Through torrid tracts with fainting steps they go,
Where wild Altama murmurs to their woe.

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Far different there from all that charmed before,
The various terrors of that horrid shore';
Those blazing suns that dart a downward ray,
And fiercely shed intolerable day;

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Those matted woods, where birds forget to sing,
But silent bats in drowsy clusters cling;

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Those poisonous fields with rank luxuriance crowned,
Where the dark scorpion gathers death around;
Where at each step the stranger fears to wake
The rattling terrors of the vengeful snake;
Where crouching tigers wait their hapless prey,
And savage men more murderous still than they;
While oft in whirls the mad tornado flies,
Mingling the ravaged landscape with the skies.
Far different these from every
former scene,

The cooling brook, the grassy-vested green,
The breezy covert of the warbling grove,

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That only sheltered thefts of harmless love.

When the poor exiles, every pleasure past,

That called them from their native walks away;

Good Heaven! what sorrows gloomed that parting day,

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Hung round the bowers, and fondly looked their last,
And took a long farewell, and wished in vain.
For seats like these beyond the western main ;
And shuddering still to face the distant deep,
Returned and wept, and still returned to weep.
The good old sire, the first prepared to go
To new-found worlds, and wept for others' woe;
But for himself, in conscious virtue brave,
He only wished for worlds beyond the grave.
His lovely daughter, lovelier in her tears,
The fond companion of his helpless years,
Silent went next, neglectful of her charms,

And left a lover's for a father's arms.

With louder plaints the mother spoke her woes,

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