Direct Cinema: Observational Documentary and the Politics of the SixtiesWallflower Press, 2007 - 236 ページ Direct Cinema is the first comprehensive study of the "direct cinema" movement of 1960s America. Through the inquisitiveness of filmmakers such as Robert Drew, D.A. Pennebaker, and Frederick Wiseman-and predicated on innovations such as portable cameras and synchronized sound-direct cinema intimately documented presidential campaigns through the revelers of Woodstock and the dispossessed subjects of Wiseman's "reality fictions". This volume recovers these vastly influential yet politically underappreciated films, suggesting they represented a resurgence of America's home-grown philosophical tradition inextricably bound up in the artistic and political impulses of the 1960s. |
目次
Looking Forward From an America Past to the American Modern | 57 |
Dancing on the Brink of the World | 85 |
In Search of Elysium | 99 |
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多く使われている語句
aesthetic Albert Maysles Altamont American artistic asks audience Baez Basic Training Beatles become Benson Bob Dylan broadcast camera Cinéma Vérité close-up concert counter-culture Crew culture D. A. Pennebaker David DIRECT CINEMA documentary Donovan Dont Look Back Drew Associates Drew's Ellis fantasy fighting film film's filmic filmmakers Fischer footage Frederick Wiseman Gimme Shelter going gonna guitar Hell's Angels Hendrix High School hippie Humphrey ibid ideal Jagger John journalistic Kennedy Kennedy's Leary liberal lives London Look Back lyric Maysles brothers means Michael Michael Wadleigh montage Monterey Pop nature never Patterson 1996 Pennebaker Pennebaker's photographer play political Primary quoted recruits reform rhetorical Richard Leacock Robert Drew rock says scene SEARCH OF ELYSIUM sexual shot singer social society song stage television thing tion Titicut Follies truth University Press Vietnam visual Wadleigh What's Happening whilst woman Woodstock York young