« 前へ次へ »
the speaker. This gesture is used in reproach and indication, from the last of which it has its name, inden.
Collected, 1, Fig. 57 and 58. When the ends of all the fingers are gently inclined towards or touch the end of the thumb.
With the fingers collected, as in a, the hand is brought near the lips, or opposite a shoulder, then removed in the contrary direction, with the fingers extended, as in b.
Holding, h, Fig. 59, 60, 61. The finger and thumb
are pressed together, either the fore or middle finger, or both ; the other fingers are contracted, more or less, according to the degree of energy required by the sentiment.
61 Hollow, w, Fig. 62. When the palm is held nearly
supine, and the fingers turn inwards, without touching.
Thumb, m, Fig. 63 and 64. Point. ing with the thumb, the fingers being clasped down, and the thumb extended.
Grasping, g, Fig. 65. The fingers and thumb seizing the garments,
or the hair. “ That gesture,” says Quintilian, “ which urges on
the words, contract
ing and opening the S o m hand with alternate
and rapid motion, is
rather admitted by common usage, than according to art.” (See Fig. 66.) Second Class of the Postures of the Hands, depending
on the manner of presenting the Palm. Prone, p, Fig. 67. The hand is prone when the
palm is turned
E Supine, s. The 67
68 hand is said to be supine, when the palm is turned upwards, as in Fig. 68. Inwards, n, Fig. 69. When the palm is turned to
wards the breast
and the hand is by held on the edge.
Outwards, 0, Fig. 70. When the palm is turned from the body, and
towards the object, the thumb downwards, the hand held on the edge.
Vertical, v, Fig. 71. When the palm is perpendicular to the horizon, the fingers pointing upwards.
Forwards, f. When the palm 's presented forwards, the arm hanging down, or placed in one of the extended, or backward positions.
Backwards, b. When the palm is turned backwards, the arm hanging down, or placed in one of the extended, or backward positions.
Third Class of the Postures of the Hands, arising from
the combined disposition of both Hands. of this class a few only are noticed, and those are they which are most in use among public speakers ; others may be supplied as occasion may require. It is found necessary to use two letters for the notation of each of these postures.
Applied, ap, Fig. 72. When the palms are pressed ingether, and the fingers and thumbs of each are mutually laid against each other.
Clasped, lp, Fig. 73. When all the fingers are inserted between each other, and the hands pressed closely together.
Folded, ld, Fig. 74. When the fingers of the right hand, at the second joint, are laid between the thumb and fore-finger of the left, the right thumb crossing the eft.
Crossed, cr, Fig. 75. When the left hand is placed on the breast, and the right on the left, or the contrary.
Inclosed, in, Fig. 76. When the knuckles at the middle joint of one hand, moderately bent, are received within the palm of the other, the fingers of which stretch along the back of the inclosed hand nearly to the wrist, the thumbs crossing, or rather, laid at length over each other.
Touching, tc, Fig. 77. When the points of the fingers of each hand are brought lightly into contact.
77 Wringing, wr, Fig. 78. When both hands are first clasped together, and elevated, then depressed, and separated at the wrists, without disengaging the fingers. Enumerating, nu, Fig. 79. When the index finger
of the right hand is laid successively upon the index, oi the different fingers of the left. If the number of divi
sions be more than four. the -enumeration should begin from the thumb. Sometimes
the finger and thumb of the right hand hold the finger of the left, which represents the division.
Fourth Class of the Postures of the Hands, arising from
the Part of the Body on which they are occasion. ally placed.
The fourth class of the postures of the hands arises from the part of the body on which they are occasiona.ly placed. The notation letter by which these are represented, is a capital; and it occupies the place ip
the Systematic Table (to be found in another part of this work), of those two small letters which represent the position of the arm in the vertical and transverse direction. The parts of the body and head most remarkable, in this respect, are, the breast, noted B(Fig. 80); the eyes, E (Fig. 81); the lips, L (Fig. 82); the forehead, F (Fig. 83); the chin, C (Fig. 84).
The Motions of the Arms and Hands. In ascertaining the import of any posture of eitner arm, or hand, it is important to consider the posture in connexion with the action by which it is produced ;