A Companion to Shakespeare's Works, Volume III: The ComediesRichard Dutton, Jean E. Howard John Wiley & Sons, 2008/04/15 - 480 ページ This four-volume Companion to Shakespeare's Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism.
This companion to Shakespeare's comedies contains original essays on every comedy from The Two Gentlemen of Verona to Twelfth Night as well as twelve additional articles on such topics as the humoral body in Shakespearean comedy, Shakespeare's comedies on film, Shakespeare's relation to other comic writers of his time, Shakespeare's cross-dressing comedies, and the geographies of Shakespearean comedy. |
目次
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2 Shakespeares Festive Comedies | 23 |
3 The Humor of It Bodies Fluids and Social Discipline in Shakespearean Comedy | 47 |
4 Class X Shakespeare Class and the Comedies | 67 |
5 The Social Relations of Shakespeares Comic Households | 90 |
6 Shakespeares Crossdressing Comedies | 114 |
7 The Homoerotics of Shakespeares Elizabethan Comedies | 137 |
13 The Two Gentlemen of Verona | 266 |
14 Fie what a foolish duty call you this? The Taming of the Shrew Womens Jest and the Divided Audience | 289 |
15 The Comedy of Errors and The Calumny of Apelles An Exercise in Source Study | 307 |
16 Loves Labours Lost | 320 |
17 A Midsummer Nights Dream | 338 |
18 Rubbing at Whitewash Intolerance in The Merchant of Venice | 358 |
19 The Merry Wives of Windsor Unhusbanding Desires in Windsor | 376 |
20 Much Ado About Nothing | 393 |
8 Shakespearean Comedy and Material Life | 159 |
9 Shakespeares Comic Geographies | 182 |
10 Rhetoric and Comic Personation in Shakespeares Comedies | 200 |
11 Fat Knight or What You Will Unimitable Falstaff | 223 |
12 Wooing and Winning Or Not FilmShakespeareComedy and the Syntax of Genre | 243 |
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actors Anne Antipholus Arden argues audience Bassanio Cambridge University Press Catholic characters comic court courtship critics crossdressing culture desire discourse disguise domestic Duke Early Modern England Elizabethan English Ephesus erotic essay Falstaff female Fenton festive comedies film film’s Ford friendship gender genre Gentlemen of Verona geography Helena Henry Hero’s heterosexual Holofernes homoerotic homoeroticism homosocial household humor husband ibid identity Jonson Kate language London Lord Love’s Labour’s Lost lovers male Malvolio marriage Merchant of Venice Merry Wives Midsummer Night’s Dream Mistress Olivia Orlando Oxford performance Petruchio play’s plot political popular Portia Proteus Queen reading relations Renaissance Drama rhetoric role romantic Rosalind Routledge scene servant sexual Shakespeare in Love Shakespeare Quarterly Shakespeare’s comedies Shakespeare’s plays Shrew Shylock social sodomy speech stage suggests Taming theatre thou tion Titania tradition Traub Twelfth Night Valentine Viola wedding wife Wives of Windsor woman women words