Practical Illustrations of Rhetorical Gesture and ActionSherwood, Neely and Jones, 1822 - 393 ページ |
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... approaches the ridiculous ; but this so- lemnity in time wears off , and his step becomes not only more majestic , but more sure , more free , and more unembarrassed than his who has never practised that accomplishment . Should you ...
... approaches the ridiculous ; but this so- lemnity in time wears off , and his step becomes not only more majestic , but more sure , more free , and more unembarrassed than his who has never practised that accomplishment . Should you ...
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... approach and to unite to each other — the natural consequences of inti- macy and friendship ; all the differences of which , in various classes of society , are solely indicated by the different degrees of intimacy and union , as also ...
... approach and to unite to each other — the natural consequences of inti- macy and friendship ; all the differences of which , in various classes of society , are solely indicated by the different degrees of intimacy and union , as also ...
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... approach of sleep , & c . & c . & c . and in those which , more depending on the co- operation of the soul , serve as mediums to judge of its affections , its movements , and its desires , as occasional motives and causes . It would be ...
... approach of sleep , & c . & c . & c . and in those which , more depending on the co- operation of the soul , serve as mediums to judge of its affections , its movements , and its desires , as occasional motives and causes . It would be ...
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... approaches of death ought not to be repre- sented with all the horrors which attend these dreadful moments in nature . The judicious player will soften down these horrors . His head should have more the appearance of a man sinking to a ...
... approaches of death ought not to be repre- sented with all the horrors which attend these dreadful moments in nature . The judicious player will soften down these horrors . His head should have more the appearance of a man sinking to a ...
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... approaches or accedes to it . A metaphor expressed with so much native perspicuity , by the Greek and Latin words , Προσνευω - απονευω Adnuo - abnuo that Nigidius , without giving their explication , quotes them as words of ...
... approaches or accedes to it . A metaphor expressed with so much native perspicuity , by the Greek and Latin words , Προσνευω - απονευω Adnuo - abnuo that Nigidius , without giving their explication , quotes them as words of ...
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according action actor admiration affections agreeable Alcestis ancient appears Aristotle arms art of gesture attitude Bajazet beautiful body cause cesuras character choler Cicero comedian comedy contempt contrary Cymbeline declamation degree desire drama elevated equally example excite expression exterior eyes fear give grief hand head heart ideas imitation Jones Nov 1821 kind language less LETTER Man-The manner means ment metre mind mode modifications mouth movements muscles nature Neely & Jones neral object observation opinion orator oratorical declamations Othello painting pantomime passion perfect person personages physiognomy Plate play poet present pression proper prose Pub by Sherwood Pylades Quintilian racter remark render represented rule scene sense sensible senti sentiment Sherwood Neely signs sion situation soft solely soul speak species spectators sublime tears theatre theatrical Thespis thing tion tone traits tranquil truth verse versification violent vivacity whilst whole wish words
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45 ページ - O, it offends me to the soul, to hear a robustious, periwigpated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings; who, for the most part, are capable of nothing but inexplicable dumb shows, and noise.
134 ページ - That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
133 ページ - Nay, do not think I flatter; For what advancement may I hope from thee, That no revenue hast, 8 but thy good spirits, To feed and clothe thee ? Why should the poor be flatter'd / No; let the candied tongue lick absurd pomp, And crook the pregnant hinges of the knee 9 Where thrift may follow fawning.
47 ページ - Nor do not saw the air too much with your hand, thus: but use all gently: for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance, that may give it smoothness.
321 ページ - I'll curee thee with my last, my parting breath, And keep the courage of my life, in death ; Then boldly venture on that world unknown : It cannot use me worse than this has done.
306 ページ - Farmer, you have the honour of conversing with a man who has obtained patents for tweezers, tooth-picks, and tinder-boxes — to a philosopher who has been consulted on the Wapping docks and the Gravesend tunnel ; and who has now in hand two inventions which will render him immortal — the one is, converting saw-dust into deal boards, and the other is, a plan of cleaning rooms by a steam engine — and, Farmer, I mean to give prizes for industry — I'll have a ploughing match.
262 ページ - ... of music, which, in running over all the notes, immediately loses the sound when the breath ceases; but rather resembles a string-instrument, where, after each stroke, the vibrations still retain some sound, which gradually and insensibly decays.
305 ページ - I must give this rustic some idea of my consequence [aside] . You must know, Farmer, you have the honour of conversing with a man who has obtained patents for tweezers, tooth-picks, and tinder-boxes — to a philosopher who has been...
283 ページ - towards the house-rent, buildings, scaffolding, and making of frames for scenes ; one for a provision of habits, properties, and scenes, for a supplement of the said theatre ; and seven to maintain all the women that are to perform or represent women's parts, in tragedies, comedies, &c., and in consideration of creating and establishing his actors to be a company, and his pains and expenses for that purpose for many years.
285 ページ - ... heads, bags, and court swords. The general effect must have been considerably impaired by such a distinction ; and with an actor of less ability, the illusion would have been weakened, if not destroyed : but while Garrick acted, attention was employed on him, and him alone; all exterior objects were put to flight by his transcendant genius.