Practical Illustrations of Rhetorical Gesture and ActionSherwood, Neely and Jones, 1822 - 393 ページ |
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... the original work had not been peculiarly adapted to the business of the German stage , and his references and examples chiefly taken from the drama of that coun- try . Thus situated , it became an essential duty in the.
... the original work had not been peculiarly adapted to the business of the German stage , and his references and examples chiefly taken from the drama of that coun- try . Thus situated , it became an essential duty in the.
14 ページ
... example , a difficulty of respiration after running rapidly , and the sinking of the eyelids at the approach of sleep , & c . & c . & c . and in those which , more depending on the co- operation of the soul , serve as mediums to judge ...
... example , a difficulty of respiration after running rapidly , and the sinking of the eyelids at the approach of sleep , & c . & c . & c . and in those which , more depending on the co- operation of the soul , serve as mediums to judge ...
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... example , by the raising or sinking of the voice - by a pronuncia- tion more slow and more imposing- or by a par- ticular tone , marked and emphatical , on the word indicating the idea peculiarly worthy of this dis- tinction . However ...
... example , by the raising or sinking of the voice - by a pronuncia- tion more slow and more imposing- or by a par- ticular tone , marked and emphatical , on the word indicating the idea peculiarly worthy of this dis- tinction . However ...
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... example , the hand spread out , the arm extended to its full length , the " Ma- nus minus arguta , digitis subsequens verba , non exprimens ( the ) brachium procerius projectum , quasi quoddam telum oratoris . " - Cicero de Orat . 1 ...
... example , the hand spread out , the arm extended to its full length , the " Ma- nus minus arguta , digitis subsequens verba , non exprimens ( the ) brachium procerius projectum , quasi quoddam telum oratoris . " - Cicero de Orat . 1 ...
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... Examples of imitative Gesture- The Rhetorical Footman - Synecdoche an Italian Gesture— Reflection on the Examination of Nature.` GESTURE may be of infinite utility in many of the occurrences of common life , an additional proof of its ...
... Examples of imitative Gesture- The Rhetorical Footman - Synecdoche an Italian Gesture— Reflection on the Examination of Nature.` GESTURE may be of infinite utility in many of the occurrences of common life , an additional proof of its ...
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according action actor admiration affections agreeable Alcestis ancient appears Aristotle arms art of gesture attitude Bajazet beautiful body cause cesuras character choler Cicero comedian comedy contempt contrary Cymbeline declamation degree desire drama elevated equally example excite expression exterior eyes fear give grief hand head heart ideas imitation Jones Nov 1821 kind language less LETTER Man-The manner means ment metre mind mode modifications mouth movements muscles nature Neely & Jones neral object observation opinion orator oratorical declamations Othello painting pantomime passion perfect person personages physiognomy Plate play poet present pression proper prose Pub by Sherwood Pylades Quintilian racter remark render represented rule scene sense sensible senti sentiment Sherwood Neely signs sion situation soft solely soul speak species spectators sublime tears theatre theatrical Thespis thing tion tone traits tranquil truth verse versification violent vivacity whilst whole wish words
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45 ページ - O, it offends me to the soul, to hear a robustious, periwigpated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings; who, for the most part, are capable of nothing but inexplicable dumb shows, and noise.
134 ページ - That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
133 ページ - Nay, do not think I flatter; For what advancement may I hope from thee, That no revenue hast, 8 but thy good spirits, To feed and clothe thee ? Why should the poor be flatter'd / No; let the candied tongue lick absurd pomp, And crook the pregnant hinges of the knee 9 Where thrift may follow fawning.
47 ページ - Nor do not saw the air too much with your hand, thus: but use all gently: for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance, that may give it smoothness.
321 ページ - I'll curee thee with my last, my parting breath, And keep the courage of my life, in death ; Then boldly venture on that world unknown : It cannot use me worse than this has done.
306 ページ - Farmer, you have the honour of conversing with a man who has obtained patents for tweezers, tooth-picks, and tinder-boxes — to a philosopher who has been consulted on the Wapping docks and the Gravesend tunnel ; and who has now in hand two inventions which will render him immortal — the one is, converting saw-dust into deal boards, and the other is, a plan of cleaning rooms by a steam engine — and, Farmer, I mean to give prizes for industry — I'll have a ploughing match.
262 ページ - ... of music, which, in running over all the notes, immediately loses the sound when the breath ceases; but rather resembles a string-instrument, where, after each stroke, the vibrations still retain some sound, which gradually and insensibly decays.
305 ページ - I must give this rustic some idea of my consequence [aside] . You must know, Farmer, you have the honour of conversing with a man who has obtained patents for tweezers, tooth-picks, and tinder-boxes — to a philosopher who has been...
283 ページ - towards the house-rent, buildings, scaffolding, and making of frames for scenes ; one for a provision of habits, properties, and scenes, for a supplement of the said theatre ; and seven to maintain all the women that are to perform or represent women's parts, in tragedies, comedies, &c., and in consideration of creating and establishing his actors to be a company, and his pains and expenses for that purpose for many years.
285 ページ - ... heads, bags, and court swords. The general effect must have been considerably impaired by such a distinction ; and with an actor of less ability, the illusion would have been weakened, if not destroyed : but while Garrick acted, attention was employed on him, and him alone; all exterior objects were put to flight by his transcendant genius.