Practical Illustrations of Rhetorical Gesture and ActionSherwood, Neely and Jones, 1822 - 393 ページ |
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69 ページ
... lively interest , the sole end of which is to learn and to comprehend . The mind has then equally an affection of desire , which , from the origin of time , has worked mira- cles in noble souls , and urged them on to sacri- fice more ...
... lively interest , the sole end of which is to learn and to comprehend . The mind has then equally an affection of desire , which , from the origin of time , has worked mira- cles in noble souls , and urged them on to sacri- fice more ...
86 ページ
... lively and animated desire , is , that the body constantly follows the right line in approaching or removing itself from the object . The reason of this is obvious , since desire urges us to unite or separate from the ob- ject as much ...
... lively and animated desire , is , that the body constantly follows the right line in approaching or removing itself from the object . The reason of this is obvious , since desire urges us to unite or separate from the ob- ject as much ...
95 ページ
... lively , without being so heavy and impetuous as it is in choler . The physiological movements join themselves to these motives or actions without design that is to say , that all the interior powers of man tend in a cer- tain way to ...
... lively , without being so heavy and impetuous as it is in choler . The physiological movements join themselves to these motives or actions without design that is to say , that all the interior powers of man tend in a cer- tain way to ...
113 ページ
... lively negation , a refusal suddenly given with somewhat of humour , are always ac- companied with a movement of the head and hands , as if we wished to scatter or push away the question or the prayer that is addressed to us . On the ...
... lively negation , a refusal suddenly given with somewhat of humour , are always ac- companied with a movement of the head and hands , as if we wished to scatter or push away the question or the prayer that is addressed to us . On the ...
143 ページ
... lively , gay , and sparkling with the most vivid joy ; eyes floating in splendour , arms stretched out , the body bounding from earth , and dancing in the wanton air ; —I would ask him , I repeat , whether he would not recognise the ...
... lively , gay , and sparkling with the most vivid joy ; eyes floating in splendour , arms stretched out , the body bounding from earth , and dancing in the wanton air ; —I would ask him , I repeat , whether he would not recognise the ...
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according action actor admiration affections agreeable Alcestis ancient appears Aristotle arms art of gesture attitude Bajazet beautiful body cause cesuras character choler Cicero comedian comedy contempt contrary Cymbeline declamation degree desire drama elevated equally example excite expression exterior eyes fear give grief hand head heart ideas imitation Jones Nov 1821 kind language less LETTER Man-The manner means ment metre mind mode modifications mouth movements muscles nature Neely & Jones neral object observation opinion orator oratorical declamations Othello painting pantomime passion perfect person personages physiognomy Plate play poet present pression proper prose Pub by Sherwood Pylades Quintilian racter remark render represented rule scene sense sensible senti sentiment Sherwood Neely signs sion situation soft solely soul speak species spectators sublime tears theatre theatrical Thespis thing tion tone traits tranquil truth verse versification violent vivacity whilst whole wish words
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45 ページ - O, it offends me to the soul, to hear a robustious, periwigpated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings; who, for the most part, are capable of nothing but inexplicable dumb shows, and noise.
134 ページ - That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
133 ページ - Nay, do not think I flatter; For what advancement may I hope from thee, That no revenue hast, 8 but thy good spirits, To feed and clothe thee ? Why should the poor be flatter'd / No; let the candied tongue lick absurd pomp, And crook the pregnant hinges of the knee 9 Where thrift may follow fawning.
47 ページ - Nor do not saw the air too much with your hand, thus: but use all gently: for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance, that may give it smoothness.
321 ページ - I'll curee thee with my last, my parting breath, And keep the courage of my life, in death ; Then boldly venture on that world unknown : It cannot use me worse than this has done.
306 ページ - Farmer, you have the honour of conversing with a man who has obtained patents for tweezers, tooth-picks, and tinder-boxes — to a philosopher who has been consulted on the Wapping docks and the Gravesend tunnel ; and who has now in hand two inventions which will render him immortal — the one is, converting saw-dust into deal boards, and the other is, a plan of cleaning rooms by a steam engine — and, Farmer, I mean to give prizes for industry — I'll have a ploughing match.
262 ページ - ... of music, which, in running over all the notes, immediately loses the sound when the breath ceases; but rather resembles a string-instrument, where, after each stroke, the vibrations still retain some sound, which gradually and insensibly decays.
305 ページ - I must give this rustic some idea of my consequence [aside] . You must know, Farmer, you have the honour of conversing with a man who has obtained patents for tweezers, tooth-picks, and tinder-boxes — to a philosopher who has been...
283 ページ - towards the house-rent, buildings, scaffolding, and making of frames for scenes ; one for a provision of habits, properties, and scenes, for a supplement of the said theatre ; and seven to maintain all the women that are to perform or represent women's parts, in tragedies, comedies, &c., and in consideration of creating and establishing his actors to be a company, and his pains and expenses for that purpose for many years.
285 ページ - ... heads, bags, and court swords. The general effect must have been considerably impaired by such a distinction ; and with an actor of less ability, the illusion would have been weakened, if not destroyed : but while Garrick acted, attention was employed on him, and him alone; all exterior objects were put to flight by his transcendant genius.