ページの画像
PDF
ePub

however, rendered it impossible for me to recognise the spot on which we were. At last the roaring of the wind in the branches of a tree, which seemed to grow close to the pavement, convinced me that we must have approached the suburbs of London. The figure now appeared to be moving towards one solitary lamp a little a-head of us, which, like the last lamp of winter, stood burning alone, after the extinction of its companions. He reached it and stopped. When I came within a yard or two, I did the same.

"At that moment another whistle, which seemed the very counterpart of what I had heard from the waterman on the river, echoed shrilly as if by my side. The creature started, turned round, and making me a low bow as if to thank me for my escort, it put into my hands the Montero cap, with a gesture expressive of gratitude for the temporary accommodation it had afforded to its cranium. The signal was repeated as if with impatience; and putting its hand in a significant way round its left ear, like a man adjusting his cravat, it gave a strange gambol with its legs as if commencing a pas seul, and disappeared.

"A gust of wind coming howling from the west, at the same time extinguished the lamp, and left me in utter darkness. I knew not to which side I ought to turn, in order to regain my lodgings. I could not venture to stir from the spot, lest I should break my neck over some unknown obstruction, or drop plump down,' into some of those subterranean hells I had witnessed in passing. To my inexpressible relief, however, I saw a light approaching from the opposite side. It was the watchman.

"Where in heaven's name am I?' said I, as the watchman, after turning the light of his lantern on my countenance, and satisfying himself that I was no thief but a true man, offered to assist me homeward. What strange quarter of the town is this?'

6

"This?' said the watchman; 'why, this is Tyburn Turnpike, and that there stone you see under that lamp, as was blown out just as I came up, is the old place where the gallows used to stand.'

"I knew not exactly what followed. I have an indistinct recollection, as if the unnatural state of excitation, which had hitherto kept me up, failed me at this moment, and I sank down without further consciousness. When I came to myself, I was lying on Chesterton's bed, the bright beams of a morning sun in February were beginning to illuminate the apartment, and in a chair by the fireside, I saw my friend reading the Morning Post, and waiting seemingly with some anxiety for breakfast. I rubbed my eyes and sat up. The first thing I saw was the Montero cap, placed as it had been the evening before, on the top of the easel, and in the corner stood the lay-figure in its usual position, looking as innocent as possible of its street-walking gambols of the preceding night.

"My dear fellow,' said Chesterton, rising and coming up to my bedside,' I am glad to see you have come to your senses again. You must have been conspicuously drunk last night. I was very late in returning to my lodgings, and when I came in then, you were at full length on the floor. I could not think of sending you home in such a tempest; so, without taking off your clothes, I put you into bed, and you have never opened your eyes till this moment.'

"My clothes,' said I, 'why, they must have been wet through with the rain of last night.'

6

"Not a stitch of them,' said Chesterton. But how, pray, should they be wet? Though you moistened your clay pretty well, there was no occasion for moistening your coat too.'

"It was with some difficulty I could bring myself to communicate to Chesterton the strange adventure of the night; but seeing that he was determined to set down the whole affair to the score of intoxication, a point on which I felt a little sore, I thought I was bound, in justice to myself, to set him right in this particular. I began, and he listened at first with an incredulous smile, but his interest increased as the narrative proceeded; the smile was succeeded by an air of deep attention, till at last, as I described the disappearance of the figure and the spot where it happened, he looked at me

gravely for some time, and remained silent.

"It is singular,' said he, after a pause, singular enough. Yesterday, I dined with the medical friend from whom I procured the skeleton for my lay-figure. The conversation happening to turn on anatomical subjects, I pressed him to tell me where he had got it, when at last he owned it was the skeleton of a criminal who had been executed at Tyburn many years ago, and which had for a long time ornamented the dissecting room at Grey's Hospital. It had been sold along with some other medical preparations, of which they happened to have duplicates, and had in this way fallen into his hands. The coincidence, however, with this ghastly dream of yours, for such of course it must have been, is remarkable enough.'

"I said no more on the subject. I

would fain have endeavoured to think the whole a dream; but a feeling of awe and painful recollection came over me as I looked at the figure, which even the bright and sunny morning, and the cheerful sights and sounds of day, did not enable me to overcome. I have an idea that my friend, though he did not own it, had something of the same feeling; for a few days afterwards, when I visited his apartment, I looked in vain for the companion of my midnight walk. It was gone, and from that day to this I have heard no more of the lay-figure. I had, in fact, almost forgotten the whole phantasmagoria, when that unlucky sketch, which, please Heaven, I shall burn before going to bed, recalled the scene to my recollection. But the bottle's out, I see— shall we ring for another ?"

LINES ON A THRUSH CONFINED IN A CAGE NEAR THE SEA.

BY LADY EMMELINE STUART WORTLEY.

Poor solitary-melancholy thing!
How heavily droops thy long-unpractised wing-
Far from the golden-fruited scented woods-
Far from the chainless joy of founts and floods
Exiled for ever-from thy haunts of old,

Where gleamed the leaves from the tree's ivy-fold,
Where thy notes pierced the richly-flowering branches-
Sweet as the tone some breeze-swept harp-string launches
Upon the ravish'd and bewilder'd ear!

But here, disconsolate, joyless, captive! here
No golden-fruited woods spread wide around-
No coloured moss robes royally the ground-
No violet tufts enrich the passing breeze-
No tender shadows fall from clustering trees-
For thee awakes no tone of kindred glee,
No sweet companion's answering minstrelsy!
Nought but the melancholy-sounding sea,
The many-cadenced, ever mournful main,
Thou hearest!-till thy once exulting strain
Is changed and saddened with a dreamy tone,
Wild as the sea-shells' undistinguished moan-
As though those sea-shells, with vain mysteries fill'd,
Had fitfully and plaintively instill'd

Their soul of mournfulness through thy clear lay!
That thou-the Child of Spring, and Light, and Day,
Should bear the chain !-Oh, could my hand restore thee
To that blest haunt where green leaves trembled o'er thee,
Thou shouldst not, lingering by the cold, cold wave-
That can but offer thee a welcome grave-

Mourn thy sick heart away!-but once again
Send through the echoing woods thy rapturous strain,
Free, and forgetful of the cage and chain!

[blocks in formation]

INVOCATION.

As the tired voyager on stormy seas

Invokes the coming of bright birds from shore, To waft him tidings, with the gentler breeze,

Of dim sweet woods that hear no billows roar : So from the depth of days, when Earth yet wore Her solemn beauty, and primeval dew,

I call you, gracious forms! Oh! come, restore Awhile that holy freshness, and renew

Life's morning dreams. Come with the voice, the lyre,
Daughters of Judah! with the timbrel rise!
Ye of the dark prophetic eastern eyes,

Imperial in their visionary fire;

Oh! steep my soul in that old glorious time, When God's own whisper shook the cedars of your clime!

INVOCATION CONTINUED.

AND come, ye faithful! round Messiah seen,
With a soft harmony of tears and light
Streaming through all your spiritual mien,

As in calm clouds of pearly stillness bright

Showers weave with sunshine, and transpierce their slight Ethereal cradle.-From your heart subdued

All haughty dreams of Power had wing'd their flight,
And left high place for Martyr-fortitude,
True Faith, long-suffering Love.-Come to me, come!
And, as the seas beneath your Master's tread
Fell into crystal smoothness, round him spread
Like the clear pavement of his heavenly home;

So in your presence, let the Soul's great deep
Sink to the gentleness of infant sleep.

THE SONG OF MIRIAM.

A SONG for Israel's God!-Spear, crest, and helm,
Lay by the billows of the old Red Sea,
When Miriam's voice o'er that sepulchral realm
Sent on the blast a hymn of jubilee ;

With her lit eye, and long hair floating free,
Queen-like she stood, and glorious was the strain,
Ev'n as instinct with the tempestuous glee

Of the dark waters, tossing o'er the slain.

A song for God's own Victory!—Oh, thy lays,
Bright Poesy! were holy in their birth :-
How hath it died, thy seraph note of praise,
In the bewildering melodies of Earth!
Return from troubling bitter founts; return
Back to the life-springs of thy native urn!

RUTH.

The plume-like swaying of the auburn corn,
By soft winds to a dreamy motion fann'd,
Still brings me back thine image-Oh! forlorn,
Yet not forsaken, Ruth!-I see thee stand
Lone, midst the gladness of the harvest-band,-
Lone as a wood-bird on the ocean's foam,

Fall'n in its weariness. Thy fatherland
Smiles far away! yet to the Sense of Home,
That finest, purest, which can recognise

Home in affection's glance, for ever true
Beats thy calm heart; and if thy gentle eyes

Gleam tremulous through tears, 'tis not to rue
Those words, immortal in their deep Love's tone,
"Thy people and thy God shall be mine own!"

THE VIGIL Of Rizpah.

"And Rizpah, the daughter of Aiah, took sackcloth, and spread it for her upon the rock, from the beginning of harvest, until water dropped upon them out of heaven; and suffered neither the birds of the air to rest on them by day, nor the beasts of the field by night."—2 Sam. xxi. 10.

Who watches on the mountain with the dead,
Alone before the awfulness of night?
-A Seer awaiting the deep Spirit's might?
A Warrior guarding some dark pass of dread?

No, a lorn Woman!-On her drooping head,

Once proudly graceful, heavy beats the rain;
She recks not,-living for the unburied slain,

Only to scare the vulture from their bed.

So, night by night, her vigil hath she kept
With the pale stars, and with the dews hath wept;-
Oh! surely some bright Presence from above
On those wild rocks the lonely one must aid!-
E'en so; a strengthener through all storm and shade,
Th' unconquerable Angel, mightiest Love!

THE REPLY OF THE SHUNAMITE WOMAN.

"And she answered, I dwell among mine own people."—2 Kings, iv. 13.
"I dwell among mine own,"-Oh! happy thou!
Not for the sunny clusters of the vine,
Nor for the olives on the mountain's brow;

Nor the flocks wandering by the flowery line
Of streams, that make the green land where they shine
Laugh to the light of waters :-not for these,
Nor the soft shadow of ancestral trees,

Whose kindly whisper floats o'er thee and thine;
Oh! not for these I call thee richly blest,
But for the meekness of thy woman's breast,

Where that sweet depth of still contentment lies:
And for thy holy household love, which clings
Unto all ancient and familiar things,

Weaving from each some link for Home's dear Charities.

LYRICS OF THE EAST. BY MRS GODWIN.

No. V.

DYING REQUEST OF A HINDU Girl.
KEEP, dear friends, when I am dead,
And green moss above my head,
Cherish with your tender care
My fond birds and blossoms fair.
Mother, father, sisters three,
Cherish them for love of me.
Azla, for my spotted fawn,
Gather leaves at early dawn:
Anasûya, in thy breast,
Let my playful lorie rest.
Gently round my lonely bower,
Train yon Camalata flower.

Mora, to thy care I leave
Flowers that shed their sweets at eve,
And all timid birds that tune
Melodies beneath the moon.
Thou, sweet sister, art like them,
Born the pensive shades to gem.

Keep, my friends, when I'm no more,
In your hearts the looks I wore;
Let my memory haunt these bowers,
Shrined in birds and fragrant flowers,—
Mother, sisters, sire, to you
Amra breathes a last adieu.

No. VI.

THE RUINED FOUNTAIN.

Flow on, limpid fountain, though deserts surround thee,
Thy waters sweet melody have;

Though the weeds of neglect in their cold arms have bound thee,
And birds dip their wings in thy wave.

Thy marble so bright through the dank moss betrayeth
A gleam of thy destiny gone,

But the clear wave hath ruin'd the urn where it playeth,
And still in its glory rolls on.

It may be, thy music, in ages departed,

The proud Courts of royalty cheer'd,

While shapes of the lovely, the brave, the light-hearted,

All glass'd in thy waters appear'd.

But now, of the grandeur that was, not a token
Remains to adorn thy decay;

Like a wreath of wan vapour the breeze hath just broken,
The vision hath melted away.

Thou only art spared, even as virtue endureth,

When pride, wealth, and beauty decline,

For the life that dwells deep in thy centre ensureth
A power that for aye shall be thine.

Lone fount of the wilderness! broken and slighted!
Thou teem'st with adversity's lore!

Oh! how many like me in thy flow have delighted,
Whose eyes may behold thee no more!

VOL. XXXIII. No. CCVII.

2 Q

« 前へ次へ »