 The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not have composed less than from two to three hundred lines ; if that indeed can be called...  The Literary Panorama and National Register - 587 ページ1816全文表示 - この書籍について
 | Samuel Taylor Coleridge - 1816 - 82 ページ
...than from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | 1816 - 676 ページ
...from two to three hundred lines; if that, indeed, can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expression, without any sensation or consciousness of effort. On awaking, he appeared to nimself to... | |
 | Samuel Taylor Coleridge - 1828 - 374 ページ
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen ink, and paper,... | |
 | Samuel Taylor Coleridge - 1829 - 400 ページ
...lines; if that indeed can be called composition in which all the images rose up before him as tliingi, with a parallel production of the correspondent expressions,...any sensation or consciousness of effort. On awaking be appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | 1829 - 558 ページ
...composition had almost always happened to him in the production of his poems, viz., that " the images rose up before him as things, with a parallel production of the correspondent expressions." We cannot but believe that usually his " visions flit very palpably before him," from the effect of... | |
 | Samuel Taylor Coleridge - 1831 - 628 ページ
...that indeed can be called composition in which nil the image« rose UP b<Ttir<j him an things, witli n awaAinp h« appeared to himself to have a •li-iimrt recollection of tlie whole, and taking his pen.... | |
 | Robert Macnish - 1834 - 310 ページ
...than from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking, he appeared to himself to have a distinct recollection of the whole : and taking his pen, ink, and paper... | |
 | Robert Macnish - 1834 - 362 ページ
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking, he appeared to himself to have a distinct recollection of the whole: and, taking his pen, ink, and paper,... | |
 | Samuel Taylor [poetical works] Coleridge - 1834 - 312 ページ
...two to three hundred lines ; if that indeed can be called composition in which all the images roso up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to him•elf to have a distinct recollection of the whole, and taking hi* pen, ink, and paper,... | |
 | Samuel Taylor Coleridge - 1835 - 320 ページ
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any se%sation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection... | |
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