The Works of Samuel Johnson, 第 2 巻Nichols, 1816 |
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44 ページ
... believe I have so far assisted the students of our language , that this kind of phraseology will be no longer insuperable ; and the combinations of verbs and particles , by chance omitted , will be easily explained by com- parison with ...
... believe I have so far assisted the students of our language , that this kind of phraseology will be no longer insuperable ; and the combinations of verbs and particles , by chance omitted , will be easily explained by com- parison with ...
89 ページ
... believe there is , in every na- tion , a style which never becomes obsolete , a cer- tain mode of phraseology so consonant and con- genial to the analogy and principles of its respec- tive language , as to remain settled and unaltered ...
... believe there is , in every na- tion , a style which never becomes obsolete , a cer- tain mode of phraseology so consonant and con- genial to the analogy and principles of its respec- tive language , as to remain settled and unaltered ...
108 ページ
... believe , that he read little more than English , and chose for his fables only such tales as he found translated . That much knowledge is scattered over his works is very justly observed by Pope ; but it is often such knowledge as ...
... believe , that he read little more than English , and chose for his fables only such tales as he found translated . That much knowledge is scattered over his works is very justly observed by Pope ; but it is often such knowledge as ...
113 ページ
... believe at least as old as his earliest plays . This however is certain , that he is the first who taught either tragedy or comedy to please , there being no theatrical piece of any older writer , of which the name is known , except to ...
... believe at least as old as his earliest plays . This however is certain , that he is the first who taught either tragedy or comedy to please , there being no theatrical piece of any older writer , of which the name is known , except to ...
121 ページ
... believe that every reader will wish for more . Of the last editor it is more difficult to speak . Respect is due to high place , tenderness to living reputation , and veneration to genius and learning ; but he cannot be justly offended ...
... believe that every reader will wish for more . Of the last editor it is more difficult to speak . Respect is due to high place , tenderness to living reputation , and veneration to genius and learning ; but he cannot be justly offended ...
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ancient appeared attempt Banquo beauty censure character commerce common considered copies criticism curiosity dictionary died hereafter diligence discovered drama easily editions editor elegance Eloisa to Abelard endeavoured English enquiry Epictetus EPITAPHS equally excellence exhibit expected Falstaff favour formed France French genius Habit happiness Harleian library Henry Henry VI honour hope imagined justly kind king king of Portugal knowledge known labour language learning less likewise Macbeth mankind means ment mind nation nature necessary neglected neral never NOTE obscure observed opinion orthography passage passions perfect spy perhaps play poet Pope Portuguese praise preserved Prester John preter prince produced publick racters reader reason religion remarkable Roman scenes seems sense sentiments Shakespeare shew shewn sometimes Spain speech suffered sufficient supplied supposed things thought tion trade traffick tragedy truth witches words writers written
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464 ページ - She should have died hereafter; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death.
139 ページ - All the images of nature were still present to him, and he drew them, not laboriously, but luckily; when he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read nature; he looked inwards and found her there.
81 ページ - In the writings of other poets a character is too often an individual: in those of Shakespeare it is commonly a species.
85 ページ - That this is a practice contrary to the rules of criticism will be readily allowed; but there is always an appeal open from criticism to nature. The end of writing is to instruct; the end of poetry is to instruct by pleasing.
89 ページ - ... is probably to be sought in the common intercourse of life, among those who speak only to be understood, without ambition of elegance. The polite are always catching modish innovations, and the learned depart from established forms of speech in hope of finding or making better; those who wish for distinction forsake the vulgar when the vulgar is right.
60 ページ - When we see men grow old and die at a certain time one after another, from century to century, we laugh at the elixir that promises to prolong life to a thousand years; and with equal justice may the lexicographer be derided who, being able to produce no example of a nation that has preserved their words and phrases from mutability, shall imagine that his dictionary can embalm his language and secure it from corruption and decay, that it is in his power to change sublunary nature and clear the world...
67 ページ - I have protracted my work till most of those whom I wished to please have sunk into the grave; and success and miscarriage are empty sounds. I therefore dismiss it with frigid tranquillity, having little to fear or hope from censure or from praise.
85 ページ - ... the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination, and expressing the course of the world, in which the loss of one is the gain of another; in which, at the same time, the reveler is hasting to his wine and the mourner burying his friend...
31 ページ - IT is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise ; to be disgraced by miscarriage, or punished for neglect, where success would have been without applause, and diligence without reward.
97 ページ - Granicus, he is in a state of elevation above the reach of reason or of truth, and from the heights of empyrean poetry may despise the circumscriptions of terrestrial nature.