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And then of these some part burst into tears,
And others, looking with a stupid stare,
Could not yet separate their hopes from fears,
And seem'd as if they had no further care;
While a few pray'd (the first time for some years);
And at the bottom of the boat three were
Asleep: they shook them by the hand and head,
And tried to awaken them, but found them dead.

The day before, fast sleeping on the water,

They found a turtle of the hawk's-bill kind, And by good fortune, gliding softly, caught her, Which yielded a day's life, and to their mind Proved even still a more nutritious matter, Because it left encouragement behind : They thought that, in such perils, more than chance Had sent them this for their deliverance.

The land appear'd a high and rocky coast,
And higher grew the mountains as they drew,
Set by a current, toward it: they were lost
In various conjectures, for none knew

To what part of the earth they had been toss'd,
So changeable had been the winds that blew ;
Some thought it was Mount Etna, some the highlands
Of Candia, Cyprus, Rhodes, or other islands.

Meantime the current, with a rising gale,

Still set them onwards to the welcome shore,
Like Charon's bark of spectres, dull and pale:
Their living freight was now reduced to four,
And three dead, whom their strength could not avail
To heave into the deep with those before,
Though the two sharks still follow'd them, and dash'd
The spray into their faces as they splash'd.

Famine, despair, cold, thirst, and heat, had done
Their work on them by turns, and thinn'd them to
Such things, a mother had not known her son
Amidst the skeletons of that gaunt crew;
By night chill'd, by day scorch'd, thus one by one,
They perish'd, until wither'd to these few-
But chiefly by a species of self-slaughter,
In washing down Pedrillo with salt water.

As they drew nigh the land, which now was seen
Unequal in its aspect, here and there
They felt the freshness of its growing green

That waved in forest-tops, and smooth'd the air,
And fell upon their glazed eyes like a screen
From glistening waves and skies so hot and bare-
Lovely seem'd any object that should sweep
Away the vast, salt, dread, eternal deep.

The shore look'd wild, without a trace of man,
And girt by formidable waves; but they
Were mad for land, and thus their course they ran,
Though right ahead the roaring breakers lay:
A reef between them also now began

To show its boiling surf and bounding spray;
But, finding no place for their landing better,
They ran the boat for shore,—and overset her.

But in his native stream, the Guadalquivir,

Juan to lave his youthful limbs was wont;
And, having learnt to swim in that sweet river,
Had often turn'd the art to some account:
A better swimmer you could scarce see ever ---
He could, perhaps, have pass'd the Hellespont,
As once (a feat on which ourselves we prided)
Leander, Mr. Ekenhead, and I did.

So here, though faint, emaciated, and stark,

He buoy'd his boyish limbs, and strove to ply
With the quick wave, and gain, ere it was dark,
The beach which lay before him, high and dry :
The greatest danger here was from a shark,

That carried off his neighbour by the thigh;
As for the other two, they could not swim,
So nobody arrived on shore but him.

Nor yet had he arrived, but for the oar,

Which, providentially for him, was wash'd Just as his feeble arms could strike no more,

And the hard wave o'erwhelm'd him as 'twas dash'd Within his grasp; he clung to it, and sore The waters beat as he thereto was lash'd; At last, with swimming, wading, scrambling, he Roll'd on the beach, half-senseless, from the sea:

There, breathless, with his digging nails he clung
Fast to the sand, lest the returning wave,
From whose reluctant roar his life he wrung,
Should suck him back to her insatiate grave;
And there he lay, full length, where he was flung,
Before the entrance of a cliff-worn cave,
With just enough of life to feel its pain,
And deem that it was saved, perhaps, in vain.
With slow and staggering effort he arose,
But sunk again upon his bleeding knee
And quivering hand: and then he look'd for those
Who long had been his mates upon the sea;
But none of them appear'd to share his woes,
Save one, a corpse, from out the famish'd three,
Who died two days before, and now had found
An unknown barren beach for burial ground.

And as he gazed, his dizzy brain spun fast,

And down he sunk; and as he sunk, the sand
Swam round and round, and all his senses pass'd:
He fell upon his side, and his stretch'd hand
Droop'd dripping on the oar (their jury mast),
And, like a wither'd lily, on the land
His slender frame and pallid aspect lay,
As fair a thing as e'er was form'd of clay.

ENCHANTED MUSIC.

From SPENSER'S Fairie Queene.

EFTSOONS they heard a most melodious sound
Of all that might delight a dainty ear,
Such as, at once, might not on living ground,
Save in this paradise be heard elsewhere:
Right hard it was for wight that did it hear
To weet what manner music it might be,
For all that pleasing is to living ear
Was there consorted in one harmony;

Birds, voices, instruments, winds, waters, all agree.
The joyous birds, shrouded in cheerful shade,
Their notes unto the voice attemper'd sweet;
Th' angelical, soft, trembling voices made
To th' instruments divine respondence meet;

The silver sounding instruments did meet
With the bass murmur of the water's fall;
The water's fall with difference discreet,
Now soft, now loud, unto the wind did call ;
The gentle warbling wind low answered to all.

SONNET.

By SHAKSPERE.

DEVOURING Time, blunt thou the lion's paws,
And make the Earth devour her own sweet brood;
Pluck the keen teeth from the fierce tiger's jaws,
And burn the long-lived Phœnix in her blood;
Make glad and sorry seasons as there fleet'st,
And do whate'er thou wilt, swift-footed Time,
To the wide world and all her fading sweets;
But I forbid thee one most heinous crime:
O carve not with thy hours my love's fair brow,
Nor draw no lines there with thine antique pen ;
Her in thy course untainted do allow,

For beauty's pattern to succeeding men.
Yet do thy worst, old Time: despite thy wrong,
My love shall in my verse ever live young.

TO AN INFANT SLEEPING.

By the Rev. R. C. TRENCH.

Ou, drinking deep of slumber's holy wine,

Whence may the smile that lights thy countenance be? We seek in vain the mystery divine;

For in thy dim unconscious infancy

No games as yet, no play-fellows are thine,

To stir in waking hours such thoughts of glee,

As recollected in thine innocent dream

Might shed across thy face a happy gleam.

It may be, though small notice thou canst take,
Thou feelest that an atmosphere of love

Is ever round thee, sleeping or awake :
Thou wakest, and kind faces from above

Bend o'er thee-when thou sleepest, for thy sake
All sounds are hush'd, and each doth gently move:
And this dim consciousness of tender care

Has caused thy cheek this light of joy to wear.

Or it may be, thoughts deeper than we deem
Visit an infant's slumbers-God is near,
Angels are talking to them in their dream,

Angelic voices whispering sweet and clear;
And round them lies that region's holy gleam,
But newly left, and light which is not here:
And thus has come that smile upon thy face,
At tidings brought thee from thy native place.

But whatsoe'er the causes which beguiled

That dimple on thy countenance, it is gone;
Fair is the lake disturb'd by ripple mild,

But not less fair when ripple it has none:
And now what deep repose is thine, dear child,
What smoothness thy unruffled cheek has won!
Oh! who that gazed upon thee could forbear
The silent breathing of an heart-felt prayer!

ODE ON A GRECIAN URN.

A truly classical composition by Keats.

THOU still unravish'd bride of Quietness!
Thou foster-child of Silence and slow Time!
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape
Of deities or mortals, or of both,

In Tempe or the dales of Arcady?

What men or gods are these? What maidens loath? What mad pursuit? What struggle to escape?

What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:

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