The Poetical Works of Robert Southey

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Cambridge Scholars Publishing, 2009 - 190 ページ
Book may have numerous typos, missing text, images, or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1860. Not illustrated. Excerpt: ... m. N E O L I N. "Not yet at rest, my sister!" quoth the Prince, As at her dwelling-door he saw the Maid Sit gazing on that lovely moonlight scene: "To bed, Goervyl. Dearest, what hast thou To keep thee wakeful here at this late hour, When even I shall bid a truce to thought, And lay me down in peace ? -- Good night, Goervyl! Dear sister mine, my own dear mother's child!" She rose, and, bending on with lifted arms, Met the fond kiss; obedient then withdrew. Yet could not he, so lightly as he weened, Lay wakeful thoughts aside; for he foresaw Long strife and hard adventure to achieve, And forms of danger vague disturbed his dreams. Early at morn the colonists arose: Some pitch the tent-pole, and pin down the lines That stretch the o'erawning canvas; to the wood, Others, with saw and axe and bill, for stakes And undergrowth to weave the wicker walls; These to the ships, with whom Cadwallon sends The Elk and Bison, broken to the yoke. Ere noon, Erillyab and her son arrived To greet the Chief. She wore no longer now The lank, loose locks of careless widowhood; Her braided tresses round her brow were bound, Bedecked with tufts of gray and silvery plumes, Plucked from the eagle's pennons. She, with eye And countenance which spake no feigned delight, Welcomed her great deliverer. But her son Had Nature charactered so legibly, That, when his tongue told fair, his face bewrayed The lurking falsehood; sullen, slow of speech, Savage, down-looking, dark, that, at his words Of welcome, Madoc in his heart conceived Instinctive enmity. "In a happy hour Did the Great Spirit," said Erillyab, ', ' Give bidding to the Winds to speed thee here! For this I made my prayer; and when He sent For the Beloved Teacher, to restore him Eyesight and youth, of him I then besought, As he had been th...

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著者について (2009)

Robert Southey was born on August 12, 1774. In 1788, Southey entered the Westminster school at the expense of his uncle. One year after his admission to Westminster, the French Revolution began. Southey was fifteen years old at the time, and like many young people of his day, he passionately sympathized with the high ideals of the French cause. During these years, Southey befriended both Charles W. W. Wynn and Grosvenor Charles Bedford. Bedford and Wynn began a publication in 1792, The Flagellant, which Southey later joined as writer and co-editor. He submitted an anonymous article on "Flogging," in which he claimed that the school's disciplinary practice of flogging students was satanic. Dr. Vincent, the headmaster at the school, viewed the essay not as the product of a boy's imagination, but as a direct attack on both the school and the British Constitution. Eventually, Southey came forward and offered his apology, but was nonetheless expelled from school. Southey was of course then refused admission at Christ Church and had to attend Balliol College at Oxford. In order to escape life at Oxford and postpone making his decision to join the clergy, Southey took some time off from school in the autumn of 1793. Southey eventually left Oxford after his second term to be married. Shortly after leaving, he crossed paths with Samuel Taylor Coleridge, with whom he formed a friendship which would mold his early life and continue until his later years. In 1794, Southey, Coleridge, and several mutual friends came up with the idea of "Pantisocracy," or "equal rule of all." Their goal was to emigrate to America to practice Pantisocracy by forming a communal, utopian settlement where everyone would live in harmony and brotherhood. In order to raise money for this, Southey and Coleridge joined to write drama and political propaganda, and to write and deliver weekly lectures on politics and history. At this time, they co-wrote the drama entitled "The Fall of Robespierre," which was published by a radical printer at Cambridge under Coleridge's name. This same year Southey wrote Wat Tyler, based on the Peasant's Revolt of 1381. Unfortunately, Wat Tyler was not published, the scheme to emigrate to America to practice "Pantisocracy" never came to fruition, and his friendship with Coleridge became increasingly strained. The relationship deteriorated further when Coleridge and his wife began having marital difficulties. Coleridge eventually left his wife and Southey was forced to support both families. Southey then accepted Charles Wynn's offer to set up an annuity for him if he would study law. Southey began to study law by day and write poetry and prose at night. He drifted entirely away from his legal studies and began to concentrate solely on his writing. Between 1796 and 1805 Southey wrote Joan of Arc: An Epic Poem, Thalaba the Destroyer, Madoc, and several volumes of shorter verse. He also wrote numerous ballads, made frequent contributions to The Monthly Magazine and published the popular Letters Written During a Short Residence in Spain and Portugal. After several years of estrangement from Coleridge, the two poets collaborated on the Devil's Walk in 1799. Although Southey remained a champion of the poor and became an outspoken adversary of slavery, he began to cherish the maintenance of social order. After becoming an outspoken member of the Tory party, Southey's changing views led him to accept a position as Britain's Poet Laureate in 1813, a position that he held for 30 years. Twenty-three years after Wat Tyler was written, it suddenly resurfaced into a highly charged political atmosphere in which an older, more conservative Southey was at the forefront. Upon learning that Southey was the author, his adversaries, such as William Hazlitt and William Smith, seized upon the play as an example of his hypocrisy, while his friends, Wynn, Coleridge, and Wordsworth, defended him vehemently. Despite the effects of Wat Tyler's appearance on Southey's reputation, it sold over 60,000 copies and was reprinted, making it one of his most well-read and commercially successful works. Southey eventually incorporated the play into his complete works in 1838. Although the reappearance of the poem forced Southey to confront the dissipation of his youthful ideals, it did not significantly affect his career as an esteemed poet and writer. Southey remained Poet Laureate of Britain for 30 years, and eventually died in 1843.

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