The New York SpeakerMason Brothers, 1868 |
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24 ページ
... feet , obtrusive curvilinear sweeps of the arm , and gestures in- troduced because they are pretty or graceful . FIRMNESS . The second feature of good style in gesture , FIRMNESS , is opposed to all feeble slackness , or yielding weak ...
... feet , obtrusive curvilinear sweeps of the arm , and gestures in- troduced because they are pretty or graceful . FIRMNESS . The second feature of good style in gesture , FIRMNESS , is opposed to all feeble slackness , or yielding weak ...
25 ページ
... feet glued to the floor ; the very features of the face apparently immovable and blank ; the eyes fixed on vacancy , or on the floor , instead of communicating with the audi- ence ; the whole facial expression reminding an observer of ...
... feet glued to the floor ; the very features of the face apparently immovable and blank ; the eyes fixed on vacancy , or on the floor , instead of communicating with the audi- ence ; the whole facial expression reminding an observer of ...
28 ページ
... feet equally . The latter posture renders the attitude of the whole body stiff and rigid , deprives the action of the arm of the free and consentaneous play of the whole muscular system , and gives a mechanical air to every motion of ...
... feet equally . The latter posture renders the attitude of the whole body stiff and rigid , deprives the action of the arm of the free and consentaneous play of the whole muscular system , and gives a mechanical air to every motion of ...
29 ページ
... feet are placed with the toes turned outward so far as to create a right angle by two lines , if drawn one under the ... feet , which plants them parallel , and pointing in a line drawn straight forward from the speaker's body , thus ...
... feet are placed with the toes turned outward so far as to create a right angle by two lines , if drawn one under the ... feet , which plants them parallel , and pointing in a line drawn straight forward from the speaker's body , thus ...
30 ページ
... therefore quiet and retired , rather than active and advanced . The posture of the feet , accordingly , is that in which the weight of the speaker's body rests on the left foot 30 INTRODUCTORY REMARKS ON DECLAMATION . New England,
... therefore quiet and retired , rather than active and advanced . The posture of the feet , accordingly , is that in which the weight of the speaker's body rests on the left foot 30 INTRODUCTORY REMARKS ON DECLAMATION . New England,
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多く使われている語句
Annabel Lee battle beauty bell Belshazzar beneath Bingen blessings blood bosom brave breast breath bright brow cheek child cloud cried Dacotahs dark dead death deep dream earth eloquence expression falchion father fear feel feet fire gazed gesture glory grave hand hath head hear heard heart heaven Helon Hiawatha hill hour Katydid Kenabeeks king land Laughing Water liberty light lips living Lochinvar look Lord mighty Mondamin morning mountain N. P. Willis ne'er never night noble Number O. W. Holmes o'er pale passed pride proud R. H. Barham Rhine rock round Samian wine shore sigh silent smile song soul speak speaker spirit stars stood style sweet swell sword tears tell tempest thee thou art thought thunder Toll verger voice waters waves weep wigwam wild wind wings word Yankee girls young
人気のある引用
264 ページ - TO him who in the love of nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware.
384 ページ - What sought they thus afar? Bright jewels of the mine? The wealth of seas, the spoils of war? — They sought a faith's pure shrine. Ay, call it holy ground, — The soil where first they trod! They have left unstained what there they found — Freedom to worship God ! Felicia Hemans.
265 ページ - Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world - with kings, The powerful of the earth - the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre.
244 ページ - In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire, Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor Now — now to sit or never, By the side of the pale-faced moon.
284 ページ - Yet, like some sweet beguiling melody, So sweet we know not we are listening to it, Thou the meanwhile wast blending with my thought, Yea, with my life, and life's own secret joy ; Till the dilating soul, enrapt, transfused, Into the mighty vision passing — there, As in her natural form, swelled vast to heaven.
95 ページ - So stately his form, and so lovely her face, That never a hall such a galliard did grace: While her mother did fret, and her father did fume, And the bridegroom stood dangling his bonnet and plume; And the bridemaidens whispered, " Twere better by far To have matched our fair cousin with young Lochinvar.
269 ページ - And the Raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my...
94 ページ - O, young Lochinvar is come out of the west, Through all the wide Border his steed was the best ; And save his good broad-sword he weapon had none, He rode all unarmed, and he rode all alone. So faithful in love, and so dauntless in war, There never was knight like the young Lochinvar.
215 ページ - THE isles of Greece! the isles of Greece! Where burning Sappho loved and sung, Where grew the arts of war and peace, Where Delos rose, and Phoebus sprung! Eternal summer gilds them yet, But all, except their sun, is set.
269 ページ - Whether Tempter sent, or whether tempest tossed thee here ashore, Desolate yet all undaunted, on this desert land enchanted — On this home by Horror haunted — tell me truly, I implore: Is there — is there balm in Gilead? — tell me — tell me, I implore!