Reading Shakespeare HistoricallyRoutledge, 2005/07/26 - 216 ページ Reading Shakespeare Historically is a passionate, provocative book by one of the most renowned and popular Renaissance scholars writing today. Charting ten years of critical development, these challenging, witty essays shed new light on Renaissance studies. It also raises intriguing questions about how the culture and history of the past illuminates the key social and political issues of today. Lisa Jardine re-reads Renaissance drama in its historical and cultural context, from laws of defamation in Othello to the competing loyalties of companionate marriage and male friendship in The Changeling. In doing so she reveals a wealth of new insights, sometimes surprising but always original and engrossing. At the same time, these essays also provide a fascinating account of the rise of feminist scholarship since the 1980s and the diversifying of `new historicist' approaches over the same period. Reading Shakespeare Historically will fascinate and provoke students of shakespeare and his historical age, and general readers with an urge to understand how the culture and history of our past illuminates the key scoial and political issues of today. |
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... arguments expounded by deconstructionists and post-structuralists. Over the same period, what used to be termed new historicists have clarified their intellectual practices and emerged as two distinctive schools of thought: one ...
... studies and those in history have found themselves together proposing alternatives to arguments expounded by deconstructionists and post - structuralists . Over the 1 Introduction 'WHY SHOULD HE CALL HER WHORE?': Defamation.
... argument , then you need to ask yourself what you are overlooking which stands between them and agreement ( since , on the whole , students are more generous and more likely to give you the benefit of the doubt 2 READING SHAKESPEARE ...
... Arguing the case for Shakespeare with my students at the University of London has forced me to scrutinise my own motives and assumptions . I have been obliged to make explicit the fact that I believe that the continuing presence within ...
... argues that the Dauphin ought not to figure in this scene , on grounds of the structural coherence of the plot , and emends the text accordingly . Justification for drastic editorial revision here , in other words , boils down to the ...
目次
Desdemonas case | 19 |
Unlawful marriage in Hamlet | 35 |
CULTURAL CONFUSION AND SHAKESPEARES LEARNED | 48 |
Gender dependency and sexual | 65 |
READING AND THE TECHNOLOGY OF TEXTUAL | 78 |
Mercantile exchange and knowledge | 98 |
The scholar of womens history | 132 |
What happens in Hamlet? | 148 |