Asian Cinemas: A Reader and GuideDimitris Eleftheriotis, Gary Needham Edinburgh University Press, 2006 - 473 ページ Asian cinema is an area of increasing interest in Anglo-US film studies while Asian films are now widely distributed and popular with western audiences. The fascination with Asian cinema must be examined in the context of a complex and often problematic relationship between western scholars, students, viewers and Asian films. This book, therefore, examines a number of detailed case studies (such as the films of Ozu, Bruce Lee, Hong Kong and Turkish cinema, Hindi melodramas, Godzilla films, Taiwanese directors and Fifth Generation Chinese cinema) and uses them in order to investigate the limitations of Anglo-US theoretical models and critical paradigms. By engaging the readers with familiar areas of critical discourse (such as postcolonial criticism, 'national cinema', 'genre', 'authorship' and 'stardom') the book aims to introduce within such contexts the 'unfamiliar' case studies which will be explored in depth and detail. The advantage of such an approach is that it works with the dynamics of familiarity/unfamiliarity and resists the temptation to construct Asian cinemas as a gallery of exotic objects that might be particularly fascinating but remain deeply distant and foreign. Features*A comprehensive study of Asian cinemas, including Hong Kong, Japan, China, India, Turkey and Taiwan*An accessible guide for the study and research of Asian cinema which addresses undergraduate and postgraduate students and researchers* Each section contains a contextualising introduction* Includes key texts by Ackbar Abbas, Rey Chow, David Desser, Dimitris Eleftheriotis, Nezih Erdo |
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272 ページ
... GENRE CRITICISM Crucially the essays included here define their analyses in the context of ( or in conversation with ) genre criticism . Working within such a critical framework presents the writers with clear advantages but it also ...
... GENRE CRITICISM Crucially the essays included here define their analyses in the context of ( or in conversation with ) genre criticism . Working within such a critical framework presents the writers with clear advantages but it also ...
331 ページ
... GENRE AND INTERRUPTIONS Sholay exemplified the possibility of very deftly combining dominant genre principles developed in Hollywood films with conventions particular to Indian cinema . Recasting the linear trajectory of genre films to ...
... GENRE AND INTERRUPTIONS Sholay exemplified the possibility of very deftly combining dominant genre principles developed in Hollywood films with conventions particular to Indian cinema . Recasting the linear trajectory of genre films to ...
332 ページ
... genres as a predilection of critics only surfaces after the fact . Whatever particular features film critics or filmmakers deploy to differentiate one genre from another or see multiple genres in one film , American genre films broadly ...
... genres as a predilection of critics only surfaces after the fact . Whatever particular features film critics or filmmakers deploy to differentiate one genre from another or see multiple genres in one film , American genre films broadly ...
目次
Orientalism and Japanese Cinema | 7 |
A filmmaker for all seasons | 17 |
when Them is U S | 41 |
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actor aesthetic Ah-Long American Asian cinemas audience become body Bruce Lee camera Cantonese Chan character Chen China Chinese cinema cinephilia classical colonial contemporary context cross-cultural cultural directors discourse dominant Enter the Dragon essay fantasy female fight figure film industry film studies film theory film's filmmakers genre global Godzilla hero Hong Kong cinema Hong Kong films Hou Hsiao-Hsien Huang Indian cinema Indian films Japan Japanese cinema Japanese film Kong's kung fu films Kwan Lee's London male martial arts films masculine melodrama modern monster musical narrative national cinema Ozu's played political popular cinema position post-colonial production Pu Yi reading relationship remakes representation represented scene screen sexual shot social space specific spectator star story style suggests Taiwan Taiwanese Taiwanese cinema Tokyo Tokyo Story traditional Tsui Hark Turkish cinema University Press viewer visual West Western woman women Wong Fei Hung Yeşilçam