Asian Cinemas: A Reader and GuideDimitris Eleftheriotis, Gary Needham Edinburgh University Press, 2006 - 473 ページ Asian cinema is an area of increasing interest in Anglo-US film studies while Asian films are now widely distributed and popular with western audiences. The fascination with Asian cinema must be examined in the context of a complex and often problematic relationship between western scholars, students, viewers and Asian films. This book, therefore, examines a number of detailed case studies (such as the films of Ozu, Bruce Lee, Hong Kong and Turkish cinema, Hindi melodramas, Godzilla films, Taiwanese directors and Fifth Generation Chinese cinema) and uses them in order to investigate the limitations of Anglo-US theoretical models and critical paradigms. By engaging the readers with familiar areas of critical discourse (such as postcolonial criticism, 'national cinema', 'genre', 'authorship' and 'stardom') the book aims to introduce within such contexts the 'unfamiliar' case studies which will be explored in depth and detail. The advantage of such an approach is that it works with the dynamics of familiarity/unfamiliarity and resists the temptation to construct Asian cinemas as a gallery of exotic objects that might be particularly fascinating but remain deeply distant and foreign. Features*A comprehensive study of Asian cinemas, including Hong Kong, Japan, China, India, Turkey and Taiwan*An accessible guide for the study and research of Asian cinema which addresses undergraduate and postgraduate students and researchers* Each section contains a contextualising introduction* Includes key texts by Ackbar Abbas, Rey Chow, David Desser, Dimitris Eleftheriotis, Nezih Erdo |
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242 ページ
... remakes was not credited . As in literature , the notion of plagiarism in Turkey was not identical with that prevalent in the West . So how can we define these films ? While both adaptation and remake are usually defined by their ...
... remakes was not credited . As in literature , the notion of plagiarism in Turkey was not identical with that prevalent in the West . So how can we define these films ? While both adaptation and remake are usually defined by their ...
243 ページ
... remake strategy . As for the latter assumption of remake as a pre - sold property , it would be interesting to compare the dates of release for the original films and their remakes . Most of the remakes were shot in 1960-75 , whereas ...
... remake strategy . As for the latter assumption of remake as a pre - sold property , it would be interesting to compare the dates of release for the original films and their remakes . Most of the remakes were shot in 1960-75 , whereas ...
244 ページ
... remakes involve less creative effort or are more cost - effective compared with original films . This discussion of definitions and possible motives for remakes cannot fully explain the phenomenon in Turkish context . So what might be ...
... remakes involve less creative effort or are more cost - effective compared with original films . This discussion of definitions and possible motives for remakes cannot fully explain the phenomenon in Turkish context . So what might be ...
目次
Orientalism and Japanese Cinema | 7 |
A filmmaker for all seasons | 17 |
when Them is U S | 41 |
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actor aesthetic Ah-Long American Asian cinemas audience become body Bruce Lee camera Cantonese Chan character Chen China Chinese cinema cinephilia classical colonial contemporary context cross-cultural cultural directors discourse dominant Enter the Dragon essay fantasy female fight figure film industry film studies film theory film's filmmakers genre global Godzilla hero Hong Kong cinema Hong Kong films Hou Hsiao-Hsien Huang Indian cinema Indian films Japan Japanese cinema Japanese film Kong's kung fu films Kwan Lee's London male martial arts films masculine melodrama modern monster musical narrative national cinema Ozu's played political popular cinema position post-colonial production Pu Yi reading relationship remakes representation represented scene screen sexual shot social space specific spectator star story style suggests Taiwan Taiwanese Taiwanese cinema Tokyo Tokyo Story traditional Tsui Hark Turkish cinema University Press viewer visual West Western woman women Wong Fei Hung Yeşilçam