Philological tracts, &cF. C. and J. Rivington, 1823 |
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... practice has , in my opinion , a claim to preference which preserves the greatest number of radical letters , or seems most to comply with the general custom of our language . But the chief rule which I propose to follow is , to make no ...
... practice has , in my opinion , a claim to preference which preserves the greatest number of radical letters , or seems most to comply with the general custom of our language . But the chief rule which I propose to follow is , to make no ...
15 ページ
... practice is of great use in synoptical lexicons , where mutilated and doubtful languages are explained by their af- finity to others more certain and extensive , but is generally superfluous in English etymologies . When the word is ...
... practice is of great use in synoptical lexicons , where mutilated and doubtful languages are explained by their af- finity to others more certain and extensive , but is generally superfluous in English etymologies . When the word is ...
32 ページ
... practice and observation were continually in- creasing ; and analogy , which , though in some words obscure , was evident in others . In adjusting the Orthography , which has been to this time unsettled and fortuitous , I found it neces ...
... practice and observation were continually in- creasing ; and analogy , which , though in some words obscure , was evident in others . In adjusting the Orthography , which has been to this time unsettled and fortuitous , I found it neces ...
35 ページ
... practice unmolested , that the reader may balance suffrages , and judge between us : but this question is not always to be determined by reputed or by real learning ; some men , intent upon greater things , have thought little on sounds ...
... practice unmolested , that the reader may balance suffrages , and judge between us : but this question is not always to be determined by reputed or by real learning ; some men , intent upon greater things , have thought little on sounds ...
36 ページ
... practice ; and I hope I may be allowed to recommend to those , whose thoughts have been perhaps employed too anxiously on verbal singula- rities , not to disturb , upon narrow views , or for minute propriety , the orthography of their ...
... practice ; and I hope I may be allowed to recommend to those , whose thoughts have been perhaps employed too anxiously on verbal singula- rities , not to disturb , upon narrow views , or for minute propriety , the orthography of their ...
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ancient appear attempt Banquo Bemoin bounty catalogue censure characters common conjecture considered copies corn corrupt criticism curiosity degree dictionary died hereafter diligence discovered drama easily editions editor elegance elliptical arch emendations endeavoured English English language enquiry Epictetus Essay excellence exhibit expected Falstaff favour genius Harleian library Henry Henry VI honour hope imagined inserted INTERPOLATION kind king king of Portugal knowledge known labour language learned less lexicography likewise Macbeth mankind means ments Milton mind nation nature necessary neral never NOTE obscure observed opinion orthography Paradise Lost particular passage passions perfect spy performed perhaps play poet Pope Portuguese praise preserved Prester John prince produced proper publick racter reader reason Roman scenes seems sense sentiments Shakespeare shew shewn sometimes speech sufficient supposed things thought tion tragedy truth William Lauder witches words writers written
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140 ページ - Shakespeare's plays are not, in the rigorous and critical sense, either tragedies or comedies, but compositions of a distinct kind, exhibiting the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination...
67 ページ - I have protracted my work till most of those whom I wished to please have sunk into the grave; and success and miscarriage are empty sounds. I therefore dismiss it with frigid tranquillity, having little to fear or hope from censure or from praise.
136 ページ - ... find. His persons act and speak by the influence of those general passions and principles by which all minds are agitated, and the whole system of life is continued in motion. In the writings of other poets a character is too often an individual; in those of Shakespeare it is commonly a species.
88 ページ - Come, you spirits That tend on mortal thoughts, unsex me here, And fill me, from the crown to the toe, top-full Of direst cruelty...
66 ページ - ... be perfect, since while it is hastening to publication, some words are budding, and some falling away; that a whole life cannot be spent upon syntax and etymology, and that even a whole life would not be sufficient; that he, whose design includes whatever language can express, must often speak of what he does not understand...
149 ページ - He no sooner begins to move, than \ he counteracts himself; and terror and pity, as they 1 are rising in the mind, are checked and blasted by ! sudden frigidity. - - , A quibble is to Shakespeare, what luminous vapours are to the traveller; he follows it at all adventures : it is sure to lead him out of his way, and sure to engulf him in the mire.
139 ページ - This therefore is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies by reading human sentiments in human language; by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
87 ページ - Than wishest should be undone. Hie thee hither, That I may pour my spirits in thine ear; And chastise with the valour of my tongue All that impedes thee from the golden round, Which fate and metaphysical aid doth seem To have thee crown'd withal.
37 ページ - I am not yet so lost in lexicography, as to forget that words are the daughters of earth, and that things are the sons of heaven.
169 ページ - He has scenes of undoubted and perpetual excellence; but perhaps not one play, which, if it were now exhibited as the work of a contemporary writer, would be heard to the conclusion.