The Art of Elocution ... |
この書籍内から
検索結果1-5 / 44
67 ページ
... pitch of voice , which may have reached a high range in the excitement of earnest argument or intense feeling , and will therefore require to be lowered for the relief both of speaker and hearer . In this latter regard the long pause is ...
... pitch of voice , which may have reached a high range in the excitement of earnest argument or intense feeling , and will therefore require to be lowered for the relief both of speaker and hearer . In this latter regard the long pause is ...
68 ページ
... pitch of voice , which may have reached a high range in the excitement of earnest argument or intense feeling , and will therefore require to be lowered for the relief both of speaker and hearer . In this latter regard the long pause is ...
... pitch of voice , which may have reached a high range in the excitement of earnest argument or intense feeling , and will therefore require to be lowered for the relief both of speaker and hearer . In this latter regard the long pause is ...
72 ページ
... pitch , —its tones , -its semi - tones , its bass , its tenor , its alt , -its melody , its cadence . It can speak as gently as the lute , " like the sweet south upon a bed of violets , " or as shrilly as the trumpet ; it can tune the ...
... pitch , —its tones , -its semi - tones , its bass , its tenor , its alt , -its melody , its cadence . It can speak as gently as the lute , " like the sweet south upon a bed of violets , " or as shrilly as the trumpet ; it can tune the ...
73 ページ
... pitch being at the highest on " or , " when the voice imme- diately descends on " fall . " pitch from low to high , is doubtless accent . We derive the grave and acute accents from the Greeks , who , it is supposed , used them to denote ...
... pitch being at the highest on " or , " when the voice imme- diately descends on " fall . " pitch from low to high , is doubtless accent . We derive the grave and acute accents from the Greeks , who , it is supposed , used them to denote ...
74 ページ
... pitch increases as the force of the speaker increases . In ordinary speech , where no particular force is given - in a perfectly indifferent question , for example , the rise would not be more than of one tone . Such a question , for ...
... pitch increases as the force of the speaker increases . In ordinary speech , where no particular force is given - in a perfectly indifferent question , for example , the rise would not be more than of one tone . Such a question , for ...
他の版 - すべて表示
多く使われている語句
accented Adrastus antithesis articulation Baradas Bayard Taylor beauty breath Brutus Cæsar Cassius Charles Allston Collins Cicero clauses close cloth compound inflections death delivery diphthongal distinct doth E. G. Squier Edition Elements of Rhetoric Elocution emphasis of force EXAMPLES exercise expression eyes falling inflection Fcap feeling gesture give grace Gregsbury hand happy Harrison Weir hast hath heart heaven Henry Ward Beecher honour hope Huguet human voice Illustrations Intonation Julius Cæsar justice king language light live Lochinvar loose sentence lord Mabel Vaughan marked meaning mercy middle pause mind nature never o'er orator passage passion perfect perspicuity Post 8vo practice pronominal phrase prosodial Pugstyles rhythm rising inflection rules Shakspeare Shylock soul speak speaker speech spirit style syllables thee thou thought tion tone tonic sound truth utterance verse voice vowel vulgar Whately Whately's word
人気のある引用
385 ページ - tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them. To die: to sleep; No more; and, by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to; 'tis a consummation Devoutly to be wish'd. To die, to sleep; To sleep: perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause.
341 ページ - tis true, this god did shake ; His coward lips did from their colour fly, And that same eye whose bend doth awe the world Did lose his lustre : I did hear him groan : Ay, and that tongue of his that bade the Romans Mark him and write his speeches in their books, Alas, it cried, 'Give me some drink, Titinius,
349 ページ - Julius bleed for justice' sake ? What villain touch'd his body, that did stab, And not for justice ? What, shall one of us, That struck the foremost man of all this world But for supporting robbers, shall we now Contaminate our fingers with base bribes, And sell the mighty space of our large honours For so much trash as may be grasped thus? I had rather be a dog, and bay the moon, Than such a Roman.
308 ページ - He who hath bent him o'er the dead Ere the first day of death is fled, The first dark day of nothingness, The last of danger and distress...
356 ページ - I come not, friends, to steal away your hearts. I am no orator, as Brutus is, But, as you know me all, a plain blunt man That love my friend, and that they know full well That gave me public leave to speak of him. For I have neither wit, nor words, nor worth, Action, nor utterance, nor the power of speech To stir men's blood. I only speak right on: I tell you that which you yourselves do know, Show you sweet Caesar's wounds, poor poor dumb mouths, And bid them speak for me.
391 ページ - The quality of mercy is not strain'd, It droppeth as the gentle rain from heaven Upon the place beneath; it is twice bless'd; It blesseth him that gives and him that takes...
355 ページ - O, what a fall was there, my countrymen ! Then I, and you, and all of us fell down, Whilst bloody treason flourished over us. O, now you weep; and, I perceive, you feel The dint of pity : these are gracious drops. Kind souls, what, weep you, when you but behold Our Caesar's vesture wounded?
190 ページ - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct, As water is in water.
386 ページ - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of ? Thus conscience does make cowards of us all...
350 ページ - You have done that you should be sorry for. There is no terror, Cassius, in your threats, For I am arm'd so strong in honesty. That they pass by me as the idle wind, Which I respect not.