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which ingenions absurdity has thrown together, genuine wit and useful knowledge may be sometimes found buried perhaps in grossness of expression, but useful to those who know their value; and such as, when they are expanded to perspicuity, and polished to elegance, may give lustre to works which have more propriety though less copiousness of sentiment.

This kind of writing, which was, I believe, borrowed from Marino and his followers, had been recommended by the example of Donne, a man of very extensive and various knowledge; and by Jonson, whose manner resembled that of Donne more in the ruggedness of his lines than in the cast of his sentiments.

When their reputation was high, they had undoubtedly more imitators than time has left behind. Their immediate successors, of whom any remembrance can be said to remain, were Suckling, Waller, Denham, Cowley, Cleiveland, and Milton. Denham and Waller sought another way to fame, by improving the harmony of our numbers. Milton tried the metaphysic style only in his lines upon Hobson the Carrier. Cowley adopted it, and excelled his predecessors, having as much sentiment and more music. Suckling neither improved versification, nor abounded in conceits. The fashionable style remained chiefly with Cowley; Suckling could not reach it, and Milton disdained it.

In the following verses, we have an allusion to a Rabbinical opinion concerning Manna:

Variety I ask not: give me one
To live perpetually upon.

The person Love does to us fit,

Like manna, has the taste of all in it.

Thus Donne shows his medicinal knowledge in some encomiastic verses:

A Balsamum to keep it fresh and new,
In every thing there naturally grows

If 'twere not injured by extrinsique blows;
Your youth and beauty are this balm in you.
And virtue and such engredients, have made
But you, of learning and religion,
A mithridate, whose operation
Keeps off, or cures what can be done or said.

Though the following lines of Donne, on the last night of the year, have something in them too scholastic, they are not inelegant :

This twilight of two years, not past nor next, Some emblem is of me, or I of this,

I

Who, meteor-like, of stuff and form perplext,
Whose what and where in disputation is,
sum the years and me, and find me not
If I should call me any thing, should miss.
Debtor to the' old, nor creditor to the' new.
That cannot say, my thanks I have forgot,
Nor trust I this with hopes; and yet scarce

true

This bravery is, since these times shew'd me you. DONNE.

Yet more abstruse and profound is Donne's reflection upon Man as a Micro

cosm:

Something to answer in some proportion;
If men be worlds, there is in every one
All the world's riches: and in good men, this
Virtue, our form's form, and our soul's soul, is.

Critical remarks are not easily understood without examples; and I have therefore collected instances of the modes of writing by which this species of poets (for poets they were called by themselves Of thoughts so far fetched, as to be not and their admirers) was eminently dis-only unexpected, but unnatural, all their tinguished. books are full.

As the authors of this race were perhaps more desirous of being admired than understood, they sometimes drew their conceits from recesses of learning not very much frequented by common readers of poetry. Thus Cowley on Knowledge: The sacred tree 'midst the fair orchard grew; The phoenix Truth did on it rest, And built his perfumed nest, That right Porphyrian tree which did true Togic shew.

Each leaf did learned notions give, And the' apples were demonstrative: So clear their colour and divine,

The very shade they cast did other lights

outshine.

On Anacreon continuing a lover in his old age:

Love was with thy life entwined,
Close as heat with fire is join'd;
A powerful brand prescribed the date
Of thine, like Meleager's fate.
The' antiperistasis of age
More enflamed thy amorous rage.

To a Lady, who wrote poesies for rings.

They, who above do various circles find,
Say, like a ring, the equator Heaven does
bind.
When Heaven shall be adorn'd by thee

(Which then more Heaven than 'tis will be),
Tis thou must write the poesy there,
For it wanteth one as yet,
Then the sun pass through't twice a year,
The sun, which is esteem'd the god of wit.
COWLEY.

The difficulties which have been raised about identity is philosophy, are by Cowley with still more perplexity applied to Love:

Five years ago (says story) I loved you,
For which you call me most inconstant now;
Pardon me, madam, you mistake the man;
For I am not the same that I was then;
No flesh is now the same 'twas then in me,
And that my mind is changed yourself may see.
The same thoughts to retain still, and intents,
Were more inconstant far: for accidents

Must of all things most strangely inconstant

prove,

If from one subject they to' another move; My members then, the father members were From whence these take their birth, which now are here.

If then this body love what the' other did, 'Twere incest, which by nature is forbid.

The love of different women is, in geographical poetry, compared to travels through different countries:

Hast thou not found each woman's breast (The land where thou hast travelled) Either by savages possest,

Or wild, and uninhabited?
What joy could'st take, or what repose,
In countries so uncivilized as those?
Lust, the scorching dog-star, here

Rages with immoderate heat;
Whilst Pride, the rugged northern bear,
In others makes the cold too great.
And where these are temperate known,
The soil's all barren sand, or rocky stone.
COWLEY.

A Lover, burnt up by his affection, is compared to Egypt:

The fate of Egypt I sustain, And never feel the dew of rain From clouds which in the head appear; But all my too much moisture owe To overflowings of the heart below. COWLEY.

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A workman, that hath copies by, can lay An Europe, Afric, and an Asia;

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Who would imagine it possible that, in a very few lines, so many remote ideas could be brought together?

Since 'tis my doom, Love's undershrieve,
Why this reprieve?

Why doth my she-advowson fly
Jucumbency?

To sell thyself dost thou intend
By candle's end,

And hold the contrast thus in doubt,
Life's taper out?

Think but how soon the market fails,
Your sex lives faster than the males;
And if to measure age's span,

The sober Julian were the account of man,
Whilst you live by the fleet Gregorian.
CLEIVELAND.

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Tear up the ground; then runs he wild about, Lashing his angry tail and roaring out. Beasts creep into their dens, and tremble there;

And quickly make that which was nothing all. Trees, though no wind is stirring, shake with

So doth each tear,

Which thee doth wear,

A globe, yea world, by that impression

grow,

Till thy tears mixt with mine do overflow This world, by waters sent from thee my heaven dissolved so.

fear;

Silence and horror fill the place around; Echo itself dares scarce repeat the sound. COWLEY.

Their fictions were often violent and unnatural.

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The moderate value of our guiltless ore
Makes no man atheist, and no woman whore:
Yet why should hallow'd vestal's sacred shrine
Deserve more honour than a flaming mine?
These pregnant wombs of heat would fitter be,
Than a few embers, for a deity.

Had he our pits, the Persian would admire
No sun, but warm's devotion at our fire:
He'd leave the trotting whipster, and prefer
Our profound Vulcan 'bove that waggoner.
For wants he heat, or light? or would have
store,

Or both? 'tis here: and what can suns give ⚫ more?

Nay, what's the sun but, in a different name,
A coal-pit rampant, or a mine on flame!
Then let this truth reciprocally run,-
The sun's heaven's coalery, and coals our sun.

Death, a Voyage.

No family

Their conceits were sometimes slight E'er rigg'd a soul for Heaven's discovery, and trifling.

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With whom more venturers might boldly dare Venture their stakes, with him in joy to share. DONNE.

Their thoughts and expressions were sometimes grossly absurd, and such as no figures or licence can reconcile to the understanding.

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They were in very little care to clothe their notions with elegance of dress, and therefore miss the notice and the praise which are often gained by those who think less, but are more diligent to adorn their thoughts.

That a Mistress beloved is fairer in idea than in reality, is by Cowley thus expressed:

Thou in my fancy dost much higher stand,
Than woman can be placed by Nature's hand;
And I must needs, I'm sure, a loser be,
To change thee as thou'rt there, for very thee.

That prayer and labour should cooperate, are thus taught by Donne:

In none but us are such mix'd engines found, As hands of double office; for the ground We till with them; and them to Heaven we raise;

Who prayerless labours, or, without this, prays, Doth but one half, that's none.

By the same author, a common topic, the danger of procrastination is thus illustrated:

-That which I should have begun In my youth's morning, now late must be done;

And I, as giddy travellers must do,
Which stray or sleep all day, and having lost
Light and strength, dark and tired must then
ride post.

All that man has to do is to live and die; the sum of humanity is comprehended by Donne in the following lines:

Think in how poor a prison thou didst lie;
After enabled but to suck and cry.
Think, when 'twas grown to most, 'twas a
poor inn,

A province pack'd up in two yards of skin:
And that usurp'd, or threaten'd with a rage
of sicknesses, or their true mother, age.
But think that death hath now enfranchised
thee;

Thou hast thy expansion 'now, and liberty;
Think, that a rusty piece discharged is flown
In pieces, and the bullet is his own,
And freely flies: this to thy soul allow,
Think thy shell broke, think thy soul hatch'd
but now.

They were sometimes indelicate and disgusting. Cowley thus apostrophises beauty:

-Thou tyrant which leavest no man free! Thou subtle thief, from whom nought safe can be!

Thou murtherer, which hast kill'd; and devil,

which would'st damn me!

Thus he addresses his Mistress:

Thou, who, in many a propriety,

So truly art the sun to me,

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Add one more likeness, which I'm sure you Again by death, although sad watch he keep,

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Doth practise dying by a little sleep; Thou at this midnight seest me.

invention:

It must be however confessed of these | and some as they were called forth by writers, that if they are upon common different occasions; with great variety of subjects often unnecessarily and unpoeti- style and sentiment, from burlesque levity cally subtle; yet, where scholastic spe- to awful grandeur. Such an assemblage culation can be properly admitted, their of diversified excellence no other poet copiousness and acuteness may justly be has hitherto afforded. To choose the best, admired. What Cowley has written upon among many good, is one of the most Hope shows an unequalled fertility of hazardous attempts of criticism. I know not whether Scaliger himself has persuaded many readers to join with him in his preference of the two favourite odes, which he estimates in his raptures at the value of a kingdom. I will, however, venture to recommend Cowley's first piece, which ought to be inscribed my Muse,' for want of which the second couplet is without reference. When the title is added, there will still remain a defect; for every piece ought to contain

Hope, whose weak being ruin'd is,
Alike if it succeed and if it miss;
Whom good or ill does equally confound,
And both the horns of Fate's dilemma wound;
Vain shadow! which dost vanish quite,
Both at full noon and perfect night!
The stars have not a possibility
Of blessing thee;

If things then from their end we happy call,
'Tis Hope is the most hopeless thing of all.'
Hope, thou bold taster of delight,'

To

Who, whilst thou should'st but taste, de-in itself whatever is necessary to make

vour'st it quite!

Thou bring'st us an estate, yet leavest us

poor,

By clogging it with legacies before!
The joys which we entire should wed,
Come deflower'd virgins to our hed;
Good fortunes without gain imported be,
Such mighty custom's paid to thee:
For joy, like wine kept close, does better taste;
If it take air before its spirits waste.

it intelligible. Pope has some epitaphs without names; which are therefore epitaphs to be let, occupied indeed for the present, but hardly appropriated.

The Ode on Wit is almost without a rival. It was about the time of Cowley that Wit, which had been till then used for Intellection, in contradistinction to which it now bears. Will, took the meaning, whatever it be,

To the following comparison of a man that travels and his wife that stays at home, with a pair of compasses, it may exemplified their own precepts, none will Of all the passages in which poets have be doubted whether absurdity or inge-easily be found of greater excellence than nuity has better claim : that in which Cowley condemns exuberance of wit:

Our two souls, therefore, which are one,
Though I must go, endure not yet

A breach, but an expansion,
Like gold to airy thinness beat.
If they be two, they are two so

As stiff twin compasses are two;

Thy soul, the fix'd foot, makes no show
To move, but doth if the' other do.
And though it in the centre sit,

Yet, when the other far doth roam,
It leans and hearkens after it,

And grows erect as that comes home.
Such wilt thou be to me, who must
Like the' other foot obliquely run:
Thy firmness makes my circle just,
And makes me end where I begun.

DONNE.

In all these examples it is apparent, that whatever is improper or vicious is produced by a voluntary deviation from nature in pursuit of something new and strange; and that the writers fail to give delight by their desire of exciting admiration.

Having thus endeavoured to exhibit a general representation of the style and sentiments of the metaphysical poets, it is now proper to examine particularly the works of Cowley, who was almost the last of that race, and undoubtedly the best.

His Miscellanies contain a collection of short compositions, written some as they were dictated by a mind at leisure,

Yet 'tis not to adorn and gild each part,
That shows more cost than art.

Jewels at nose and lips but ill appear:
Rather than all things wit, let none be there.
Several lights will not be seen,

If there be nothing else between.
Men doubt, because they stand so thick i' the'
sky,

If those be stars which paint the galaxy.

In his verses to Lord Falkland, whom every man of his time was proud to praise, there are, as there must be in all Cowley's compositions, some striking thoughts, but they are not well wrought. His elegy on Sir Henry Wotton is vigorous and happy; the series of thoughts is easy and natural; and the conclusion, though a little weakened by the intrusion of Alexander, is elegant and forcible.

It may be remarked, that in this Elegy, and in most of his encomiastic poems, he has forgotten or neglected to name his heroes.

In his poem on the death of Hervey, there is much praise, but little passion; a very just and ample delineation of such virtues as a studious privacy admits, and such intellectual excellence as a mind not yet called forth to action can display.. He knew how to distinguish, and how to commend, the qualities of his companion;

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