which ingenions absurdity has thrown together, genuine wit and useful knowledge may be sometimes found buried perhaps in grossness of expression, but useful to those who know their value; and such as, when they are expanded to perspicuity, and polished to elegance, may give lustre to works which have more propriety though less copiousness of sentiment. This kind of writing, which was, I believe, borrowed from Marino and his followers, had been recommended by the example of Donne, a man of very extensive and various knowledge; and by Jonson, whose manner resembled that of Donne more in the ruggedness of his lines than in the cast of his sentiments. When their reputation was high, they had undoubtedly more imitators than time has left behind. Their immediate successors, of whom any remembrance can be said to remain, were Suckling, Waller, Denham, Cowley, Cleiveland, and Milton. Denham and Waller sought another way to fame, by improving the harmony of our numbers. Milton tried the metaphysic style only in his lines upon Hobson the Carrier. Cowley adopted it, and excelled his predecessors, having as much sentiment and more music. Suckling neither improved versification, nor abounded in conceits. The fashionable style remained chiefly with Cowley; Suckling could not reach it, and Milton disdained it. In the following verses, we have an allusion to a Rabbinical opinion concerning Manna: Variety I ask not: give me one The person Love does to us fit, Like manna, has the taste of all in it. Thus Donne shows his medicinal knowledge in some encomiastic verses: A Balsamum to keep it fresh and new, If 'twere not injured by extrinsique blows; Though the following lines of Donne, on the last night of the year, have something in them too scholastic, they are not inelegant : This twilight of two years, not past nor next, Some emblem is of me, or I of this, I Who, meteor-like, of stuff and form perplext, true This bravery is, since these times shew'd me you. DONNE. Yet more abstruse and profound is Donne's reflection upon Man as a Micro cosm: Something to answer in some proportion; Critical remarks are not easily understood without examples; and I have therefore collected instances of the modes of writing by which this species of poets (for poets they were called by themselves Of thoughts so far fetched, as to be not and their admirers) was eminently dis-only unexpected, but unnatural, all their tinguished. books are full. As the authors of this race were perhaps more desirous of being admired than understood, they sometimes drew their conceits from recesses of learning not very much frequented by common readers of poetry. Thus Cowley on Knowledge: The sacred tree 'midst the fair orchard grew; The phoenix Truth did on it rest, And built his perfumed nest, That right Porphyrian tree which did true Togic shew. Each leaf did learned notions give, And the' apples were demonstrative: So clear their colour and divine, The very shade they cast did other lights outshine. On Anacreon continuing a lover in his old age: Love was with thy life entwined, To a Lady, who wrote poesies for rings. They, who above do various circles find, (Which then more Heaven than 'tis will be), The difficulties which have been raised about identity is philosophy, are by Cowley with still more perplexity applied to Love: Five years ago (says story) I loved you, Must of all things most strangely inconstant prove, If from one subject they to' another move; My members then, the father members were From whence these take their birth, which now are here. If then this body love what the' other did, 'Twere incest, which by nature is forbid. The love of different women is, in geographical poetry, compared to travels through different countries: Hast thou not found each woman's breast (The land where thou hast travelled) Either by savages possest, Or wild, and uninhabited? Rages with immoderate heat; A Lover, burnt up by his affection, is compared to Egypt: The fate of Egypt I sustain, And never feel the dew of rain From clouds which in the head appear; But all my too much moisture owe To overflowings of the heart below. COWLEY. A workman, that hath copies by, can lay An Europe, Afric, and an Asia; Who would imagine it possible that, in a very few lines, so many remote ideas could be brought together? Since 'tis my doom, Love's undershrieve, Why doth my she-advowson fly To sell thyself dost thou intend And hold the contrast thus in doubt, Think but how soon the market fails, The sober Julian were the account of man, Tear up the ground; then runs he wild about, Lashing his angry tail and roaring out. Beasts creep into their dens, and tremble there; And quickly make that which was nothing all. Trees, though no wind is stirring, shake with So doth each tear, Which thee doth wear, A globe, yea world, by that impression grow, Till thy tears mixt with mine do overflow This world, by waters sent from thee my heaven dissolved so. fear; Silence and horror fill the place around; Echo itself dares scarce repeat the sound. COWLEY. Their fictions were often violent and unnatural. The moderate value of our guiltless ore Had he our pits, the Persian would admire Or both? 'tis here: and what can suns give ⚫ more? Nay, what's the sun but, in a different name, Death, a Voyage. No family Their conceits were sometimes slight E'er rigg'd a soul for Heaven's discovery, and trifling. With whom more venturers might boldly dare Venture their stakes, with him in joy to share. DONNE. Their thoughts and expressions were sometimes grossly absurd, and such as no figures or licence can reconcile to the understanding. They were in very little care to clothe their notions with elegance of dress, and therefore miss the notice and the praise which are often gained by those who think less, but are more diligent to adorn their thoughts. That a Mistress beloved is fairer in idea than in reality, is by Cowley thus expressed: Thou in my fancy dost much higher stand, That prayer and labour should cooperate, are thus taught by Donne: In none but us are such mix'd engines found, As hands of double office; for the ground We till with them; and them to Heaven we raise; Who prayerless labours, or, without this, prays, Doth but one half, that's none. By the same author, a common topic, the danger of procrastination is thus illustrated: -That which I should have begun In my youth's morning, now late must be done; And I, as giddy travellers must do, All that man has to do is to live and die; the sum of humanity is comprehended by Donne in the following lines: Think in how poor a prison thou didst lie; A province pack'd up in two yards of skin: Thou hast thy expansion 'now, and liberty; They were sometimes indelicate and disgusting. Cowley thus apostrophises beauty: -Thou tyrant which leavest no man free! Thou subtle thief, from whom nought safe can be! Thou murtherer, which hast kill'd; and devil, which would'st damn me! Thus he addresses his Mistress: Thou, who, in many a propriety, So truly art the sun to me, Add one more likeness, which I'm sure you Again by death, although sad watch he keep, Doth practise dying by a little sleep; Thou at this midnight seest me. invention: It must be however confessed of these | and some as they were called forth by writers, that if they are upon common different occasions; with great variety of subjects often unnecessarily and unpoeti- style and sentiment, from burlesque levity cally subtle; yet, where scholastic spe- to awful grandeur. Such an assemblage culation can be properly admitted, their of diversified excellence no other poet copiousness and acuteness may justly be has hitherto afforded. To choose the best, admired. What Cowley has written upon among many good, is one of the most Hope shows an unequalled fertility of hazardous attempts of criticism. I know not whether Scaliger himself has persuaded many readers to join with him in his preference of the two favourite odes, which he estimates in his raptures at the value of a kingdom. I will, however, venture to recommend Cowley's first piece, which ought to be inscribed my Muse,' for want of which the second couplet is without reference. When the title is added, there will still remain a defect; for every piece ought to contain Hope, whose weak being ruin'd is, If things then from their end we happy call, To Who, whilst thou should'st but taste, de-in itself whatever is necessary to make vour'st it quite! Thou bring'st us an estate, yet leavest us poor, By clogging it with legacies before! it intelligible. Pope has some epitaphs without names; which are therefore epitaphs to be let, occupied indeed for the present, but hardly appropriated. The Ode on Wit is almost without a rival. It was about the time of Cowley that Wit, which had been till then used for Intellection, in contradistinction to which it now bears. Will, took the meaning, whatever it be, To the following comparison of a man that travels and his wife that stays at home, with a pair of compasses, it may exemplified their own precepts, none will Of all the passages in which poets have be doubted whether absurdity or inge-easily be found of greater excellence than nuity has better claim : that in which Cowley condemns exuberance of wit: Our two souls, therefore, which are one, A breach, but an expansion, As stiff twin compasses are two; Thy soul, the fix'd foot, makes no show Yet, when the other far doth roam, And grows erect as that comes home. DONNE. In all these examples it is apparent, that whatever is improper or vicious is produced by a voluntary deviation from nature in pursuit of something new and strange; and that the writers fail to give delight by their desire of exciting admiration. Having thus endeavoured to exhibit a general representation of the style and sentiments of the metaphysical poets, it is now proper to examine particularly the works of Cowley, who was almost the last of that race, and undoubtedly the best. His Miscellanies contain a collection of short compositions, written some as they were dictated by a mind at leisure, Yet 'tis not to adorn and gild each part, Jewels at nose and lips but ill appear: If there be nothing else between. If those be stars which paint the galaxy. In his verses to Lord Falkland, whom every man of his time was proud to praise, there are, as there must be in all Cowley's compositions, some striking thoughts, but they are not well wrought. His elegy on Sir Henry Wotton is vigorous and happy; the series of thoughts is easy and natural; and the conclusion, though a little weakened by the intrusion of Alexander, is elegant and forcible. It may be remarked, that in this Elegy, and in most of his encomiastic poems, he has forgotten or neglected to name his heroes. In his poem on the death of Hervey, there is much praise, but little passion; a very just and ample delineation of such virtues as a studious privacy admits, and such intellectual excellence as a mind not yet called forth to action can display.. He knew how to distinguish, and how to commend, the qualities of his companion; |