Liber Amoris: And Dramatic CriticismsP. Nevill, 1948 - 426 ページ |
この書籍内から
検索結果1-3 / 20
162 ページ
... critic has executed this part of his design , were in avoiding an appearance of mysticism in his style , not very attractive to the English reader , and in bringing illustrations from particular passages of the plays themselves , of ...
... critic has executed this part of his design , were in avoiding an appearance of mysticism in his style , not very attractive to the English reader , and in bringing illustrations from particular passages of the plays themselves , of ...
162 ページ
... critic has executed this part of his design , were in avoiding an appearance of mysticism in his style , not very attractive to the English reader , and in bringing illustrations from particular passages of the plays themselves , of ...
... critic has executed this part of his design , were in avoiding an appearance of mysticism in his style , not very attractive to the English reader , and in bringing illustrations from particular passages of the plays themselves , of ...
167 ページ
... critic must necessarily be a poet ; but to be a good critic , he ought not to be a bad poet . Such poetry as a man deliberately writes , such , and such only will he like . Dr. Johnson's Preface to his edition of Shakespeare looks like ...
... critic must necessarily be a poet ; but to be a good critic , he ought not to be a bad poet . Such poetry as a man deliberately writes , such , and such only will he like . Dr. Johnson's Preface to his edition of Shakespeare looks like ...
他の版 - すべて表示
多く使われている語句
actor admiration affection answer Antony Apemantus appear Banquo beauty better breath Caliban character Claudio comedy Cordelia Coriolanus Cymbeline dear death Desdemona dost doth eyes Falstaff fancy favour favourite fear feeling fool fortune friends genius give Gonerill grace Guiderius hand happy hast hath Hazlitt hear heart heaven Henry honour hope Hubert human Iago imagination Juliet king kiss lady Lear Liber Amoris live look lord lover Macbeth Malvolio manner Mark Antony Midsummer Night's Dream mind moral nature never night noble once Othello passages passion person pity play pleasure poet poetry prince refined Regan revenge Richard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare soul speak spirit stage Stendhal sweet tell tender thee things thou art thought Titus Andronicus tragedy true truth turn wish words Yorkshire Tragedy youth