Liber Amoris: And Dramatic CriticismsP. Nevill, 1948 - 426 ページ |
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162 ページ
... manner in which the German critic has executed this part of his design , were in avoiding an appearance of mysticism in his style , not very attractive to the English reader , and in bringing illustrations from particular passages of ...
... manner in which the German critic has executed this part of his design , were in avoiding an appearance of mysticism in his style , not very attractive to the English reader , and in bringing illustrations from particular passages of ...
164 ページ
... manner , the gradual progress from the first origin . " He gives " , as Lessing says , a living picture of all the most minute and secret artifices by which a feeling steals into our souls ; of all the imperceptible advantages which it ...
... manner , the gradual progress from the first origin . " He gives " , as Lessing says , a living picture of all the most minute and secret artifices by which a feeling steals into our souls ; of all the imperceptible advantages which it ...
417 ページ
... manner is at least no proof of helplessness . 3. The London Prodigal . If we are not mis- taken , Lessing pronounced this piece to be Shake- peare's , and wished to bring it on to the German stage . 4. The Puritan ; or , the Widow of ...
... manner is at least no proof of helplessness . 3. The London Prodigal . If we are not mis- taken , Lessing pronounced this piece to be Shake- peare's , and wished to bring it on to the German stage . 4. The Puritan ; or , the Widow of ...
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actor admiration affection answer Antony Apemantus appear Banquo beauty better breath Caliban character Claudio comedy Cordelia Coriolanus Cymbeline dear death Desdemona dost doth eyes Falstaff fancy favour favourite fear feeling fool fortune friends genius give Gonerill grace Guiderius hand happy hast hath Hazlitt hear heart heaven Henry honour hope Hubert human Iago imagination Juliet king kiss lady Lear Liber Amoris live look lord lover Macbeth Malvolio manner Mark Antony Midsummer Night's Dream mind moral nature never night noble once Othello passages passion person pity play pleasure poet poetry prince refined Regan revenge Richard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare soul speak spirit stage Stendhal sweet tell tender thee things thou art thought Titus Andronicus tragedy true truth turn wish words Yorkshire Tragedy youth