Liber Amoris: And Dramatic CriticismsP. Nevill, 1948 - 426 ページ |
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... stage is an epitome , a bettered likeness of the world , with the dull part left out : and , indeed , with this omission , it is nearly big enough to hold all the rest . What brings the resemblance nearer is , that , as they imitate us ...
... stage is an epitome , a bettered likeness of the world , with the dull part left out : and , indeed , with this omission , it is nearly big enough to hold all the rest . What brings the resemblance nearer is , that , as they imitate us ...
152 ページ
... stage . It leaves an opening to originality . The stage is always beginning anew ; the candidates for theatrical reputation are always setting out afresh unencumbered by the affectation of the faults or excellences of their predecessors ...
... stage . It leaves an opening to originality . The stage is always beginning anew ; the candidates for theatrical reputation are always setting out afresh unencumbered by the affectation of the faults or excellences of their predecessors ...
337 ページ
... stage before he comes forward to address Lady Anne , is one of the most graceful and striking ever witnessed on the stage . It would do for Titian to paint . The frequent and rapid transition of his voice from the expression of the ...
... stage before he comes forward to address Lady Anne , is one of the most graceful and striking ever witnessed on the stage . It would do for Titian to paint . The frequent and rapid transition of his voice from the expression of the ...
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actor admiration affection answer Antony Apemantus appear Banquo beauty better breath Caliban character Claudio comedy Cordelia Coriolanus Cymbeline dear death Desdemona dost doth eyes Falstaff fancy favour favourite fear feeling fool fortune friends genius give Gonerill grace Guiderius hand happy hast hath Hazlitt hear heart heaven Henry honour hope Hubert human Iago imagination Juliet king kiss lady Lear Liber Amoris live look lord lover Macbeth Malvolio manner Mark Antony Midsummer Night's Dream mind moral nature never night noble once Othello passages passion person pity play pleasure poet poetry prince refined Regan revenge Richard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare soul speak spirit stage Stendhal sweet tell tender thee things thou art thought Titus Andronicus tragedy true truth turn wish words Yorkshire Tragedy youth