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appeared architecture artist Athena beautiful become called Cestus character cloud collection colour Compare connected death desire drawing edition English engraving entirely evil expression feel flowers Gallery give given Greek hand head heart Hill human illustrations instance interest Italy kind later laws least leaves lecture less letter light living look lovely manner masters means mind Museum myths nature never noble once original Painters painting pass passage perfect perhaps persons picture Plate practical present pure Queen question reference relation respecting rest round Ruskin seen sense Series side spirit Stones story strength suppose teach things thought touch true truth Verona virtue volume whole writing XVII XVIII
311 ページ - God give thee of the dew of heaven, And of the fatness of the earth, And plenty of corn and wine...
238 ページ - The illustrations of this volume . . . . are of quite sterling and admirable art, of a class precisely parallel in elevation to the character of the tales which they illustrate; and the original etchings, as I have before said in the Appendix to my ' Elements of Drawing,' were unrivalled^ in masterfulness of touch since Rembrandt (in some qualities of delineation, unrivalled even by him).
xxvi ページ - Thine eyes shall see the king in his beauty: They shall behold the land that is very far off.
84 ページ - For all nations have drunk of the wine of the wrath of her fornication, and the kings of the earth have committed fornication with her, and the merchants of the earth are waxed rich through the abundance of her delicacies.
335 ページ - Dear mother Ida, harken ere I die. It was the deep midnoon : one silvery cloud Had lost his way between the piney sides Of this long glen. Then to the bower they came, Naked they came to that smooth-swarded bower, And at their feet the crocus brake like fire, Violet, amaracus, and asphodel, Lotos and lilies : and a wind arose, And overhead the wandering ivy and vine, This way and that, in many a wild festoon Ran riot, garlanding the gnarled boughs With bunch and berry and flower thro
363 ページ - It scarcely breathes with its one lung (the other shrivelled and abortive) ; it is passive to the sun and shade, and is cold or hot like a stone : yet ' it can out-climb the monkey, out-swim the fish, out-leap the zebra, out-wrestle the athlete, and crush the tiger.
300 ページ - Now, therefore, in nearly every myth of importance, and certainly in every one of those of which I shall speak to-night, you have to discern these three structural parts1 — the root and the two branches : — the root, in physical existence, sun, or sky, or cloud, or sea ; then the personal incarnation of that ; becoming a trusted and companionable deity, with whom you may walk hand in hand, as a child with its brother or its sister ; and, lastly, the moral significance of the image, which is in...
310 ページ - Mincius, crowned with vocal reeds, That strain I heard was of a higher mood : But now my oat proceeds. And listens to the herald of the sea That came in Neptune's plea, He asked the waves, and asked the felon winds, What hard mishap hath doomed this gentle swain?
362 ページ - That rivulet of smooth silver — how does it flow, think you ? It literally rows on the earth with every scale for an oar ; it bites the dust with the ridges of its body. Watch it when it moves slowly — a wave, but without wind...
239 ページ - Drawing' were unrivalled^ in masterfulness of touch since Rembrandt (in some qualities of delineation, unrivalled even by him). . . . To make somewhat enlarged copies of them, looking at them through a magnifying glass, and never putting two lines where Cruikshank has put only one, would be an exercise in decision and severe drawing which would leave afterwards little to be learnt in schools.