The Works of John Ruskin, 第 19 巻G. Allen, 1905 |
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... death are not cheerful , so that rest is always a sort of ' Now here are two hours which I have to spend only in walking towards the End - two hours lost , out of short life . ' " I do not know how much you cared to hear about my Alpine ...
... death are not cheerful , so that rest is always a sort of ' Now here are two hours which I have to spend only in walking towards the End - two hours lost , out of short life . ' " I do not know how much you cared to hear about my Alpine ...
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... death I should find the most tremendous desolation I ever saw in the Alps , caused by this same stream.2 4 " No other , in the whole range of Alpine river , has yet given me the idea of its being unopposable ; but I do not see how to ...
... death I should find the most tremendous desolation I ever saw in the Alps , caused by this same stream.2 4 " No other , in the whole range of Alpine river , has yet given me the idea of its being unopposable ; but I do not see how to ...
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... Death of Cardinal Beaufort " ( illustrating Henry VI . , part ii . Act iii . ) , painted for Boydell's Shakespeare Gallery in 1790 , is at Petworth ; the sketch for the picture is in the Dulwich Gallery ( No. 254 ) . The picture of ...
... Death of Cardinal Beaufort " ( illustrating Henry VI . , part ii . Act iii . ) , painted for Boydell's Shakespeare Gallery in 1790 , is at Petworth ; the sketch for the picture is in the Dulwich Gallery ( No. 254 ) . The picture of ...
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... death of Charles of Burgundy . 1 [ For references to Reynolds's inculcation of diligence , see Lectures on Art , S $ 48 , 126 , 145. ] 2 [ As an illustration of Ruskin's care in revising , the first draft of this passage is subjoined ...
... death of Charles of Burgundy . 1 [ For references to Reynolds's inculcation of diligence , see Lectures on Art , S $ 48 , 126 , 145. ] 2 [ As an illustration of Ruskin's care in revising , the first draft of this passage is subjoined ...
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... Death . Hav- ing grave friends also ; -the same singing heard far off , it seems to me , or , perhaps , even low in the room , by that family of Sir Thomas More ; ' or mingling with the hum of bees in the meadows outside the towered ...
... Death . Hav- ing grave friends also ; -the same singing heard far off , it seems to me , or , perhaps , even low in the room , by that family of Sir Thomas More ; ' or mingling with the hum of bees in the meadows outside the towered ...
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Abbeville Andrea Gritti Apollo Aratra Pentelici architecture Ariadne Florentina Art Journal artist Athena August beautiful Brantwood British Museum Camarina Catalogue Cestus of Aglaia character Clavigera cloud coin colour Compare Vol delight Denmark Hill drawing edition English engraving ethical evil expression frescoes give given Gothic Greek Greek mythology hand Holbein human Iliad illustrations John Ruskin Keswick labour letter light look lovely Luini Madonna masters means mind Modern Painters mother myths National Gallery nature never noble painted paper passage passion Pausanias perfect picture Pindar Plate pleasure Præterita Queen Rede Lecture reference Rembrandt reprinted sculpture seen Series at Oxford sketch spirit Stones Stones of Venice strength things thought tion Titian tomb true truth Turner Unto this Last Venice Verona virtue volume Vulfran words writing XVII XVIII
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311 ページ - God give thee of the dew of heaven, And of the fatness of the earth, And plenty of corn and wine...
238 ページ - The illustrations of this volume . . . . are of quite sterling and admirable art, of a class precisely parallel in elevation to the character of the tales which they illustrate; and the original etchings, as I have before said in the Appendix to my ' Elements of Drawing,' were unrivalled^ in masterfulness of touch since Rembrandt (in some qualities of delineation, unrivalled even by him).
xxvi ページ - Thine eyes shall see the king in his beauty: They shall behold the land that is very far off.
84 ページ - For all nations have drunk of the wine of the wrath of her fornication, and the kings of the earth have committed fornication with her, and the merchants of the earth are waxed rich through the abundance of her delicacies.
335 ページ - Dear mother Ida, harken ere I die. It was the deep midnoon : one silvery cloud Had lost his way between the piney sides Of this long glen. Then to the bower they came, Naked they came to that smooth-swarded bower, And at their feet the crocus brake like fire, Violet, amaracus, and asphodel, Lotos and lilies : and a wind arose, And overhead the wandering ivy and vine, This way and that, in many a wild festoon Ran riot, garlanding the gnarled boughs With bunch and berry and flower thro
363 ページ - It scarcely breathes with its one lung (the other shrivelled and abortive) ; it is passive to the sun and shade, and is cold or hot like a stone : yet ' it can out-climb the monkey, out-swim the fish, out-leap the zebra, out-wrestle the athlete, and crush the tiger.
300 ページ - Now, therefore, in nearly every myth of importance, and certainly in every one of those of which I shall speak to-night, you have to discern these three structural parts1 — the root and the two branches : — the root, in physical existence, sun, or sky, or cloud, or sea ; then the personal incarnation of that ; becoming a trusted and companionable deity, with whom you may walk hand in hand, as a child with its brother or its sister ; and, lastly, the moral significance of the image, which is in...
310 ページ - Mincius, crowned with vocal reeds, That strain I heard was of a higher mood : But now my oat proceeds. And listens to the herald of the sea That came in Neptune's plea, He asked the waves, and asked the felon winds, What hard mishap hath doomed this gentle swain?
362 ページ - That rivulet of smooth silver — how does it flow, think you ? It literally rows on the earth with every scale for an oar ; it bites the dust with the ridges of its body. Watch it when it moves slowly — a wave, but without wind...
239 ページ - Drawing' were unrivalled^ in masterfulness of touch since Rembrandt (in some qualities of delineation, unrivalled even by him). . . . To make somewhat enlarged copies of them, looking at them through a magnifying glass, and never putting two lines where Cruikshank has put only one, would be an exercise in decision and severe drawing which would leave afterwards little to be learnt in schools.