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able Addison afterwards allowed appears believe called character common considered continued court criticism danger death desire discovered Dryden easily effect elegance English equal excellence expected expression father favour force formed friends gave give given hand honour hope imagination Italy kind King knowledge known language learning least less letter lines lived Lord manner means mentioned mind nature necessary never numbers observed obtained occasion once opinion original passed performance perhaps person play pleased pleasure poem poet poetry Pope praise present probably produced published raised reader reason received remarks says seems sent ship sometimes soon success suffered sufficient supposed thing thought tion told translation verses virtue whole write written wrote Young
252 ページ - The style of Dryden is capricious and varied; that of Pope is cautious and uniform. Dryden obeys the motions of his own mind; Pope constrains his mind to his own rules of composition. Dryden is sometimes vehement and rapid; Pope is always smooth, uniform, and gentle.
268 ページ - His numbers, his pauses, his diction, are of his own growth, without transcription, without imitation. He thinks in a peculiar train, and he thinks always as a man of genius ; he looks round on Nature and on Life with the eye which Nature bestows only on a poet ; the eye that distinguishes, in every thing presented to its view, whatever there is on which imagination can delight to be detained, and with a mind that at once comprehends the vast, and attends to the minute. The reader of the
259 ページ - After all this it is surely superfluous to answer the question that has once been asked, whether Pope was a poet? otherwise than by asking in return, if Pope be not a poet, where is poetry to be found?
268 ページ - As a writer, he is entitled to one praise of the highest kind : his mode of thinking, and of expressing his thoughts, is original. His blank verse is no more the blank verse of Milton, or of any other poet, than the rhymes of Prior are the rhymes of Cow-ley. His numbers, his pauses, his diction, are of his own growth, without transcription, without imitation. He thinks in a peculiar train, and he thinks always as a man of genius : he looks round on nature and on life with the eye which nature bestows...
301 ページ - These odes are marked by glittering accumulations of ungraceful ornaments, they strike rather than please; the images are magnified by affectation; the language is laboured into harshness. The mind of the writer seems to work with unnatural violence. "Double, double, toil and trouble.
172 ページ - Dr. Swift had been observing once to Mr. Gay, what an odd pretty sort of a thing a Newgate pastoral might make. Gay was inclined to try at such a thing for some time ; but afterwards thought it would be better to write a comedy on the same plan. This was what gave rise to the ' Beggar's Opera.' He began on it ; and when first he mentioned it to Swift, the Doctor did not much like the project. As he carried it on, he showed what he wrote to both of us, and we now and then gave a correction, or a word...
234 ページ - Then he instructed a young nobleman, that the best poet in England was Mr. Pope (a Papist), who had begun a translation of Homer into English verse, for which he must have them all subscribe. 'For,' says he, 'the author shall not begin to print till I have a thousand guineas for him.
8 ページ - From this account of their compositions it will be readily inferred that they were not successful in representing or moving the affections. As they were wholly employed on something unexpected and surprising, they had no regard to that uniformity of sentiment which enables us to conceive and to excite the pains and the pleasure of other minds...
8 ページ - As they were wholly employed on something unexpected and surprising, they had no regard to that uniformity of sentiment which enables us to conceive and to excite the pains and the pleasure of other minds : they never inquired what, on any occasion, they should have said or done ; but wrote rather as beholders than partakers of human nature ; as beings looking upon good and evil, impassive and at leisure; as epicurean deities, making remarks on the actions of men, and the vicissitudes of life, without...