solicitude about the event; for he knows, that where nothing but an honorary right is contested, the poorer antagonist must always suffer, whatever shall be the last decision of the law. By the success of some of these disputes, he has so elated his insolence, and, by reflection upon the general hatred which they have brought upon him, so irritated his virulence, that his whole life is spent in meditating or executing mischief. It is his common practice to procure his hedges to be broken in the night, and then to demand satisfaction for damages which his grounds have suffered from his neighbour's cattle. An old widow was yesterday soliciting Eugenio to enable her to replevin her only cow, then in the pound by squire Bluster’s order, who had sent one of his agents to take advantage of her calamity, and persuade her to sell the cow at an under rate. He has driven a day-labourer from his cottage, for gathering blackberries in a hedge for his children, and has now an old woman in the country-gaol for a trespass which she committed, by coming into his ground to pick up acorns for her hog. Money, in whatever hands, will confer power. Distress will fly to immediate refuge, without much consideration of remote consequences. Bluster has therefore a despotick authority in many families, whom he has assisted, on pressing occasions, with larger sums than they can easily repay. The only visits that he makes are to these houses of misfortune, where he enters with the insolence of absolute

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to their obedience, riots at their charge, and in the height of his joy insults the father with menaces,

and the daughters with obscenity.
He is of late somewhat less offensive; for one of

his debtors, after gentle expostulations, by which he

was only irritated to grosser outrage, seized him by the sleeve, led him trembling into the court-yard, and closed the door upon him in a stormy night. He took his usual revenge next morning by a writ; but the debt was discharged by the assistance of Eugenio. It is his rule to suffer tenants to owe him rent, because by this indulgence he secures to himself the power of seizure whenever he has an inclination to amuse himself with calamity, and feast his ears with entreaties and lamentations. Yet as he is sometimes capriciously liberal to those whom he happens to adopt as favourites, and lets his lands at a cheap rate, his farms are never long unoccupied; and when one is ruined by oppression, the possibility of better fortune quickly lures another to supply his place. Such is the life of squire Bluster; a man in whose power fortune has liberally placed the means of happiness, but who has defeated all her gifts of their end by the depravity of his mind. He is wealthy without followers; he is magnificent without witnesses; he has birth without alliance, and influence without dignity. His neighbours scorn him as a brute; his dependants dread him as an oppressor; and he has only the gloomy comfort of reflecting, that if he is hated, he is likewise feared.

I am, Sir, &c.

No. 143. TUESDAY, JULY 30, 1751

Moveat cornicula risum
Furtivis wudata coloribus.- HoR. Lib. i. Ep. i. 19.

Lest when the birds their various colours claim,
Stripp'd of his stolen pride, the crow forlorn
Should stand the laughter of the publick scorn. FRANCIs.

MONG the innumerable practices by which interest or envy have taught those who live upon literary fame to disturb each other at their airy banquets, one of the most common is the charge of plagiarism. When the excellence of a new composition can no longer be contested, and malice is compelled to give way to the unanimity of applause, there is yet this one expedient to be tried, by which the author may be degraded, though his work be reverenced; and the excellence which he cannot obscure, may be set at such a distance as not to overpower our fainter lustre. This accusation is dangerous, because, even when it is false, it may be sometimes urged with probability. Bruyere declares, that we are come into the world too late to produce any thing new, that nature and life are pre-occupied, and that description and sentiment have been long exhausted. It is indeed certain, that whoever attempts any common topick, will find unexpected coincidences of his thoughts with those of other writers; nor can the nicest judgment always distinguish accidental similitude from artful imitation. There is likewise a common stock of images, a settled mode of arrangement, and a beaten track of transition, which all authors suppose themselves at liberty to use, and which produce the resemblance generally observi able among contemporaries. So that in books which best deserve the name of originals, there is little new beyond the disposition of materials already provided; the same ideas and combinations of ideas have been long in the possession of other hands; and, by restoring to every man his own, as the Romans must have returned to their cots from the possession of the world, so the most inventive and fertile genius would reduce his folios to a few pages. Yet the author who imitates his predecessors only by furnishing himself with thoughts and elegancies out of the same general magazine of literature, can with little more propriety be reproached as a plagiary, than the architect can be censured as a mean copier of Angelo or Wren, because he digs his marble from the same quarry, squares his stones by the same art, and unites them in the columns of the same orders. Many subjects fall under the consideration of an author, which, being limited by nature, can admit only of slight and accidental diversities. All definitions of the same thing must be nearly the same: and descriptions, which are definitions of a more lax

and fanciful kind, must always have in some degree Vol. 3—13 193

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that resemblance to each other which they all have to their object. Different poets describing the spring or the sea would mention the zephyrs and the flowers, the billows and the rocks; reflecting on human life, they would, without any communication of opinions, lament the deceitfulness of hope, the fugacity of pleasure, the fragility of beauty, and the frequency of calamity; and for palliatives of these incurable miseries, they would concur in recommending kindness, temperance, caution, and fortitude.

When therefore there are found in Virgil and Horace two similar passages —

Hae tibi erumt artes
Parcere subjectis, et debellare superbos. VIRG.

To tame the proud, the fetter'd slave to free:
These are imperial arts, and worthy thee. DRYDEN.

Imperet bellante prior, jacentem
Lenis in hostem. HoR.

Let Caesar spread his conquests far,
Less pleas'd to triumph than to spare—

it is surely not necessary to suppose with a late critick, that one is copied from the other, since neither Virgil nor Horace can be supposed ignorant of the common duties of humanity, and the virtue of moderation in success. Cicero and Ovid have on very different occasions remarked how little of the honour of a victory belongs to the general, when his soldiers and his fortune have made their deductions; yet why should Ovid be suspected to have owed to Tully an obser

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